The Middle East’s luxury travel market is evolving rapidly, extending beyond opulent experiences to incorporate heritage, innovation and sustainability. Tourism experts from around the globe will shine a spotlight on the sub-theme of luxury at Arabian Travel Market (ATM) 2024, which will take place from Monday 6 to Thursday 9 May at Dubai World Trade Centre (DWTC).
Earlier this week we presented an overview of the most popular lens filters, explaining the basics of how they work to improve the appearance of photos you shoot outdoors. Today we’re taking a look at one category of these affordable accessories; namely, the Neutral Density (ND) filters that are so popular among landscape photographers.
This tutorial come from the AI Photo Guy YouTube channel, but there’s no artificial intelligence involved in today’s episode. Rather, it’s a quick discussion of the different types of ND filters, and why every outdoor photographer should have at least one in their bag. The unnamed instructor refers to the ND filter as an “essential tool for every photographer” because they often enable you to shoot unique imagery that would be impossible to capture without one on your lens.
The ND filter is essentially a light-restricting device, available in various strengths, that provide precise control for limiting the amount light hitting your camera’s sensor. Understanding how they work and using them properly will balance the tones, regardless of the light levels you confront, thereby taking your images to new levels without the chore of extensive editing.
After a brief discussion of the science behind these oft-ignored tools, the video explores the varying strengths of ND filters available and how to select the best option for any given task. Most serious landscape photographers carry a set of these filters with different light-blocking capabilities, but if you’re just getting started it’s possible to get by with just two or three.
By the time you’re done watching you’ll understand the impact these filters have on shutter speed, aperture, and overall image quality. The instructor offers really good tips on using an ND filter to make stunning long exposures under bright light to create eye-catching motion-blur effects, manage reflections, smooth flowing water, and give clouds a cotton-like appearance as they float across the sky.
You’ll also see how the ND filter will help you capture artistic cityscape scenes under a variety of conditions. In short, by following this straightforward advice, the photos you make will easily stand out from the crowd.
The video includes common mistakes to avoid, practical advice for maximizing the results you achieve, and essentially taking your imagery to the next level. You’ll also learn why it’s important to invest in high-quality filters that don’t degrade the optical performance of your prized lenses.
Photoshop offers such a broad array of capabilities that there are often several ways to accomplish the same task—some more complicated and than others. And often the best way to use a particular tool is just as easy and effective as doing things wrong.
Today’s tutorial from the Photoshop Café YouTube channel urges to stop taking the common approach with Photoshop’s popular Contrast tool that has a way of spoiling an image by introducing a dreaded harsh look known as “the crunchies” that often quickly spoils an image. In fact, the manner in which some photographers employ this tool delivers images that are worse than if you did no editing at all.
Instructor Colin Smith is an expert at all thing Adobe who frequently posts lessons that simplify seemingly difficult tasks. In this episode he provides a “reimagined” use of Photoshop’s Contrast tool that delivers superior results. Best yet, his method takes less than two minutes to explain, and it’s just as quick and simple to employ.
Smith pulls up a shot of a seascape scene with waves crashing ashore. He then clicks on the Filter tab atop the screen and chooses the Camera Raw Filter option from the dropdown menu. The Contrast slider appears under the Light section in the panel that appears. So here’s the problem: According to Smith, “most of the time when people want to increase punch in a photo they simply use the Contrast slider.”
However, all this does is deepen the darks and brightens the whites. Unfortunately, this uninformed method often creates what Smith says are “horrible looking photographs” that are crunchier that a stale cookie. In short, there’s a better way that provides much fresher results.
At first, Smith approach to achieving more POP seems counterintuitive because it starts by reducing the amount of contrast to create a “less dense’ photograph for the quick tricks that follow. As he explains, contrast is the equivalent of modifying blacks and whites—the two sliders at the bottom of the Light panel. In other words, “when we use Contrast it’s all together, but if we use blacks and whites separately we now have individual control.”
You’ll see the how this works when Smith ignores the Contrast slider and, instead, slides whites to the right and blacks to the left. The trick is to do this in a slow, deliberate manner until you see exactly what you want.
Smith provides samples of how the image appears after using the Contrast slider, employing the approach he recommends, and with no adjustments at all. It’s obvious that his method delivers superior results with more detail throughout the shot. and a far cleaner look. Who knew?