Nighttime can be the right time for capturing impressive outdoor photographs, when boring scenes often take on a magical appearance. But there’s a challenge to overcome as the light dims, because so do the colors in a shot.
This problem is particularly acute when landscape photography is the name of the game, because there are no bright colorful elements in the darkness like there is when shooting on the street where car trails, neon signs, and illuminated buildings add some much-needed punch.
Photographer Christian Mohrle is an accomplished German landscape pro based in the south of the country near beautiful Lake Constance. In today’s 15-minute episode you’ll see how he restores pretty colors to images captured in low light.
The demonstration photo was captured after sunset and the colors are more muted than he desires. But watch how he employs a few Lightroom techniques to create a beautiful image that retains a very realistic look. You can download the sample Raw file with a link in the description beneath the video and make Mohrle’s changes yourself as the tools and techniques are described.
Mohrle’s post-processing workflow always follows a predetermined strategy that progresses in a specific sequence. First he chooses the best Lightroom profile for the photo at hand, before making several simple global adjustments to create the best possible base image from which to continue.
Only then does the real magic occur as Mohrle turns to dramatic selective enhancements targeting specific areas within the frame that each require fine-tuning of their own. When all that’s accomplished Mohrle completes his remarkable transformations with thoughtful color grading, subtle sharpening, denoise if necessary, and a bit of final cleanup to remove any artifacts or small distractions that gum up the works.
Once you follow today’s straightforward steps and view Mohrle’s before/after images you may want to update your everyday workflow accordingly to bring life to every landscape photo you capture from dawn to dusk.
All landscape photographers owe it to themselves to visit Mohrle’s instructional YouTube channel on a regular basis. If you do, the quality of the images you capture will grow by leaps and bounds.
Like it or not we live in an era where camera manufactures compete with each other for how much resolution their products offer. But there’s a big difference between what you want and what you really need. That’s why, budget notwithstanding, it’s time to ask yourself how many megapixels are necessary for your style of photography.
Another question arises when you factor in the cost of investing in new gear; namely, will you be better served by an expensive new camera or by dumping you kit lenses and purchasing better glass. This 12-minute tutorial answers these questions and more by evaluating the benefits (and drawbacks) of the latest high-megapixel wonders for different types of photography.
Instructor Gavin Hardcastle is a Canadian landscape pro whose videos span the gamut from behind-the scenes shooting tutorials, post-processing techniques, up-to-date gear talk, and more. This episode is all about the best way to spend your hard-earned cash in a way that will result in higher-quality imagery (rather than wishful glances from envious photographers).
An informed decision to upgrade a camera for a newer model with greater resolution rests on several key valuables, beginning with the types of images you shoot most. Is landscape photography your thing, or are you more interested in portraiture, sports/action photography, or capturing nature and wildlife images in the field.
For some shooters it’s sort of like the speedometer on a car with a top limit of 140mph—even though you never drive faster than 80. In other words, there are a few questions to ask yourself before taking the high-res route. How important is cropping to you? Are you more concerned with weather-sealing or dynamic range?
And what about the manner in which you share and display your imagery; namely, do you regularly make large prints and submit your work for publication, or just need your photographs to look great online?
After discussing these issues Hardcastle demonstrates the difference a good piece of glass makes in terms of sharpness and price by delving into some Raw files from his recent shoot with the OM1 Mark II—a highly regarded, small sensor micro-four-thirds camera. He also illustrates the kind of results you can expect when upscaling images to the point where you may start wondering if a super high-resolution camera makes sense for you.
We also recommend watching the tutorial we featured with another top landscape photographer who demonstrates how to choose the most appropriate ISO setting for every outdoor image you shoot.