We all face a difficult compromise when processing our photos: When edits are insufficient, photos will appear flat and uninspiring, while a heavy-handed approach results in overcooked results that have no relationship to reality.

This eye-opening tutorial from one of our favorite instructors explains how to arrive at a perfect compromise and create natural-looking images that pop off the page. Serge Ramelli is a Paris-born pro who travels the world in search of spectacular landscape, seascape, travel and cityscape imagery.

Ramelli recently returned from teaching a workshop at the amazing Narrows in Utah’s Zion National Park—a destination he calls one of the nicest places on the planet. He says that “a lot of my students were either over-retouching their photos or under-retouching them. So I want to show exactly what most photographers get wrong and how to fix it.”

Most importantly, Ramelli provides his secrets for getting things correct from the get-go. In barely six minutes he demonstrates how to use local adjustments, gradients, and careful color balance techniques to create “stunning, natural-looking edits.”

Along the way he walks you through processing a long-exposure shot—demonstrating the best way to balance cool water tones with warm, red rocks in the frame. Ramelli says he shot the sample image with a two-second exposure to impart a soft sense of motion to the water flowing in his direction.

He first illustrates what he considers under-retouching by limiting his adjustments to “opening the shadows, bringing down highlights, and modifying the blacks and whites.” As you might expect, this lazy approach delivers disappointing results.

Then Ramelli applies the enhancements he recommends for making this image “look incredible.” It’s not a laborious task—just one that’s thoughtful, restrained, and complete. Compare his before/examples and you’ll be duly impressed.

The video doesn’t end there however, because Ramelli concludes with an ugly (but common) example of happens happens when photographers crank up their enhancements far beyond acceptable limits. Don’t be that guy.

Be sure to visit Ramelli’s popular YouTube channel and explore all the how-to videos on a wide-range of outdoor photography topics.

You may also appreciate the tutorial we featured recently with another post-processing specialist who reveals 10 exciting enhancements to Photoshop that will significantly improve your everyday workflow.

Travel photography is an interesting genre that borrows techniques from street photography and portraiture, along with best practices for capturing landscape and seascape imagery. Yet, we often do things a bit differently, because there’s the added goal of documenting a trip with memorable moments that tell a story.

Instructor Belinda Shi is an experienced shooter who’s traveled across six contents capturing over a million images in the past 18 years, so she has plenty of knowledge and great photos to share. She kicks today’s tutorial with this: “I’ll explain seven practical travel photography tips that will help you capture compelling stories and authentic moments during your travels.”

The discussion covers a wide-range of essential skills, like mastering different types of light for various purposes, the importance of imbuing your images with harmonious local colors, a thoughtful approach to composition, and the mindset needed for capturing long-lasting memories to share with family and friends.

She begins with harnessing the fundamentals of light, and why it’s necessary to take one approach when shooting environmental portrait, for example, and employing a different approach for urban landscape scenes and other types of photos. As she says, “it’s crucial to understand what kind of light works best for specific subjects.”

Shi then demonstrates how to deal with featureless skies that add nothing to the story you’re trying to tell. She puts it like this, “One composition mistake I constantly see is too much empty sky taking up too much valuable real estate within thee frame.” Her solution is to accentuate the key elements of your shot by minimizing flat, boring skies.

There’s also a discussion of gear, sensor size, and important camera settings, and one of Shi’s recommendations is to employ the camera’s burst mode both strategically and sparingly. She insists that high burst rates are rarely necessary for travel photography, and they’ll just fill up your memory card force you to spend time culling hundreds of similar images or even more.

The lesson proceeds with Shi’s tips for getting it right in the camera, and why she advises you to “capture a story not just faces.” There’s also a helpful discussion of how to put the important concept of color harmony to work. You can even join her masterclass for free with a link in the description beneath the video.

This is a lesson you won’t want to miss, especially if there’s a summer vacation on your itinerary. Once you’re done watching be sure to take a quick trip today by visiting Shi’s popular YouTube channel for photographers on the go.

And be sure to check out the earlier tutorial we shared in which an experienced pro explains “how to see light the way your camera does.”

Overexposed images are the bane of outdoor photographers when shooting in complicated, mixed light, and even professional shooters like today’s instructor gets thing wrong on occasion. You’ll learn how to correct this common problem in the Lightroom tutorial below from the Photo Feaver YouTube channel.

James, namesake of the channel, is an accomplished British freelancer who shares twice weekly shooting and post-processing lessons designed to help beginners boost theirs skills. Here ‘s the point of the episode: “Just because you have an overexposed or blown-out photo doesn’t mean you can’t edit your way to a good image.”

In the next eight minutes James shares his Lightroom workflow for rehabilitating blown-out shots by applying a beautiful high-key effect. The first step in determining if and by how much your image is overexposed. James does this by opening Lightroom’s Clipping tool to reveal any pixels that are completely devoid of information.

Next you’ll want to open the Basic panel and “nudge the photo in the right direction.” Intuition may tell you that this is a simple matter of shifting a couple sliders to darken the image. To the contrary, James explains why the right approach for creating a bright and airy high-key look is to actually affect the shadows instead.”

To this end James boosts contrast and slightly increases exposure and drops the overpowering highlights. He then opens opens up the shadows and whites, while dropping the blacks in the increments he recommends. James also reveals the appropriate settings for Texture, Clarity and Dehaze, Vibrance, and Saturation.

The photo now looks better, but there’s still an issue with White Balance that needs to be corrected and James explains how to employ Lightroom’s Temperature slider to slightly warm up the shot.

Now it’s time to open Lightroom’s Tone Curve panel and create what’s known as a modified “S-Curve” that will brighten highlights and darken the shadows. As you’ll see, the more points you add to the curve the more of a targeted impact you can make.

At this point you’re barely halfway through the straightforward process, and James walks you through all the remaining steps. So follow his instructions and create a few high-key masterpieces of your own. Then pay a visit the Photo Feaver YouTube channel and check out all the other how-to videos at your disposal.

And don’t miss another helpful tutorial we featured recently with Feaver, demonstrating what he says are five hidden Lightroom tools that are essential for every photographer to understand.

Fujifilm has launched a rocket that is likely to illuminate the sky for years to come. The new Fujifilm X half is a digital camera that captures images emulating those from a 35mm half-frame film camera. Featuring a 1-inch sensor, 10.8mm f/2.8 lens (32mm equiv), vertical orientation, Aperture Adjustment Ring, Frame Advance Lever and an abundance of other film-camera-like features, the Fujifilm X half appeals to an extraordinarily wide array of imagemakers.

Not Your Dad’s Half-Frame
The Fujifilm X half can easily hide beneath a standard 3 x 5 file card — it measures 4.2 x 2.5 x 1.2 inches  — and it weighs less than 8.5 ounces with battery.

It has so many film-camera characteristics that you’ll be trying to figure out how to open the back to drop in a roll of Kodachrome.

Natively shoot images that closely match the physical and aesthetic appearance of those from a classic 35mm half-frame film camera, or dynamically stitch two halves into one normally-proportioned image. Frame stitching works in video mode, too.

After two simultaneous exposures have been captured you can reverse the order (image on the left becomes the image on the right) to form a combined “2-in-1” image that has a resolution of 7296 x 4864 pixels (about 35.5 megapixels).

The Fujifilm X half is replete with the classic, nostalgic, retro styling that Fujifilm is famous for, and it looks simply awesome.

Multiple Target Markets
The nostalgic, retro design and innovative engineering are excellent, as we expect from Fujifilm, but it’s the market targeting that makes the Fujifilm X half hellaciously remarkable. Kudos!

The new X model simultaneously appeals to multiple market segments: young snap-posters; content creators stepping up from a smartphone; those who savor a digital version of the once-popular 35mm half-frame film cameras; those who seek an extremely accurate virtual version of the analog camera experience; travelers and everyday photographers who want a super-compact camera but demand advanced features and full functionality. And to this list you can add the advanced creative types who want to combine two vertical images into one horizonal composition.

Personal Sidebar
I fall into the last category. Years ago I owned a Canon Dial 35mm half-frame camera. It was unique. It had a ring of CdS photocells that resembled the dial of a rotary telephone encircling the lens. Wind the knob on the bottom of the vertically-oriented body and a spring motor advanced the film automatically. I used it extensively until the spring broke for the third time. Anyway, I regularly composed so that two adjacent half frames could be printed as one full frame in a 35mm negative carrier. It took some patience but it was worth it. Of course, being a self-imagined cool kid I meticulously filed all four inside edges of the negative carrier to create a black, fuzzy border around every full-frame print. Sadly, the prints I made have gone with the wind. Of course, I can easily recreate this effect in Photoshop, but I miss the challenge and strict discipline of precise sequential composition. Now, with the Fujifilm X half, I can return to creating the compositions in the camera. 

Fujifilm X half Key Features
10.8mm f/2.8 (32mm equivalent) Fujinon prime lens
17.74 megapixel 1-inch image sensor
13.3 x 8.8 mm sensor size
3648 x 4864 pixel resolution (single frame)
7296 x 4864 pixel resolution (2-in-1style)
TTL contrast AF with single, continuous & manual options
TTL 256-zone metering
PASM exposure modes
15 min to 1/2000 sec shutter speed range
-3.0 EV to +3.0 EV exposure compensation, 1/3EV steps
Vertical playback monitor & finder orientation
2.4 inch Touch Screen LCD, 0.92 million dots
Secondary LCD on back for Film Simulation control
Dedicated X half smartphone app
Direct print to select Fujifilm instax smartphone printers
Full HD video capability
Bluetooth, Wi-Fi & USB-C connectivity
SD/SDHC/SDXC memory cards
Long-life battery (up to 880 half-frame shots)
Measures 4.17 x 2.53 x 1.18 inches (105.8 x 64.3 x 30.0 mm)
Weighs < 8.5 ounces (240g) including battery and card

The Analog Experience
Without sacrificing the manifold advantages of being a digital device, the Fujifilm X half offers many features that reawaken the pleasure of experiencing an analog film camera.

Aperture Ring
Rotate the ring that circumscribes the lens to change apertures

Film Camera Mode
(Could call it “Number of Exposures Simulation Mode”)
Set number of shots (imaginary film roll length) to 36, 54 or 72
Requires actuation of Film Advance Lever before taking next photo
View images only after finishing the “roll”

Physical Frame Advance Lever
Optionally require actuation of Advance Lever before taking next photo
Use with Film Camera Mode explained immediately above

13 Film Simulations
We all know what Film Simulations are

3 New Creative Filters (26 Total)
New film-camera-like filters: Light Leak, Halation and Expired Film
(They forgot the “Opps, I forgot to remove the lens cap” filter)

Optical Viewfinder
Not necessarily a plus, but definitely analog

Optional Grain Effect
Just for fun, experience the grain most film shooters tried to minimize

Optional Date Stamp Imprinting
Just like the “data back” camera models of yore

Pricing & Availability
The Fujifilm X half compact digital camera is anticipated in late June 2025 at the MSRP of $849.99 (USA price). For more information, please visit the dedicated Fujifilm X half website.

Sincere Warning!
If you want one of these, order it pronto. Given Fujifilm’s history of selling out of compact cameras, and the overabundance of cool features in the Fujifilm X half digital camera, place your preorder the minute you can.

Want to Become a Better Photographer?
Begin by taking more pictures. Carry a camera everywhere you go and shoot even when you’re 100% sure the picture won’t turn out. Review all of your images with a critical eye and share them with others – and that includes posting the best in our Gallery section. Subscribe to our free newsletter (see sign-up form on our homepage) and bookmark Shutterbug as a Favorite on your browser so you can check back often. We’re in this for the same reason as you — we love photography, and we’re learning more about it every day.

—Jon Sienkiewicz