A couple months ago we brought you an encouraging beginners guide that explained how to master the basics of on-camera flash. We hope that piqued your interest, helped overcome your fear of flash, and set you on the path for success.

Today’s follow-up from another flash photography expert takes the opposite approach by explaining what NOT to do if you’ve been dissatisfied with your initial results. Instructor Ed Verosky has a single obsession that’s reflected in his instructional Tube channel that’s devoted entirely to flash tips, techniques, and gear recommendations that are appropriate for photographers of all skill levels.

Thweepisode is intended for those of you who are new to shooting with supplemental light, whether you’re working in your living room or in a small, simple studio. So grab a camera and  your flash, hit the “Play” button, and follow along while Verosky outlines the most common beginner mistakes and explains how to fix them in less than nine minutes..

At the top of Verosky’s list of error is choosing the wrong flash to begin with, and there’s more to this decision than picking a unit in your price range and assuming that you’re good to go. He put’s it like this: “There a lot of features to consider when buying your first flash, especially if you want to improve your flash photography skills.”

Starting with the basics, it’s sort of amazing that some photographers don’t realize that a portable flash must be compatible with the camera they intend to use. This notion is based upon the fact that different camera manufactures implement flash features like TTL in a proprietary way. Bottom line if you shoot with a Canon get a flash designed for that brand, whether it’s made by Canon or a third-party supplier.

Another common mistake is not making sure that your flash has enough power for the type photography you want to do. In other words, “If you’re serious about capturing good photos get serious about your flash and avoid the cheap, little models intended for nearby snapshots.” Verosky also describes important features to look for like adjustable flash heads that tilt and rotate for added versatility.

Verosky says that despite the key features he recommends, good reliable flash units that don’t break the bank are easy to find. Things only get expensive (and complicated) when you venture into the world of multi off-camera techniques.

We’re barely at the midpoint of today’s lesson that also includes a variety of practical shooting tips, appropriate setting camera and flash settings, and much more. Bottom line: you’ll find everything you need to know for impressive flash-lit images by checking out Verosky’s unique YouTube channel.

And be sure not to miss the comprehensive flash photography beginners guide that we mentioned at the onset.

Yesterday we brought you a revealing close-up photography guide with time-proven techniques for capturing breathtaking photographs of wildflowers. We’re following up on that today with a quick overview of five accessories that a macro photography expert say are his favorites.

Instructor Marcell Jarvas is an accomplished UK-based shooter whose popular how-to videos are designed to help others “capture the beauty of our landscapes, woodlands, and the macro world around us.” This episode falls into the latter category but concentrates on affordable accessories rather than specific shooting techniques.

Jarvas reveals his handful of helpful tools along with recommendations for putting them to use. He kicks off the guide with the circular polarizing filter that’s he says is his most-favorite accessory. As he explains, this powerful filter “enhances color and contrast by reducing unwanted reflections.” You’ll learn why understanding how far to rotate the filter’s front ring is the key to unlocking its magic.

Next on the list is a readily available u-bracket with a removable Arca Swiss tripod plate for quickly switching the camera between portrait and landscape orientations. The model Jarvas uses is a device with a compact, foldable cage. There’s a link to this accessory (and his other four) in the description beneath the video.

Accessory number three is a small LED light that can be a big help in several situations, like when shooting on overcast days when a bit of artificial illumination can dramatically boost the vibrance off a shot. The advantage of LED lights, in comparison to conventional flash, is that there are no confusing setting to worry about.

Jarvis carries a small tabletop tripod to use in combination with the Light that’s also useful for filling in deep shadows when shooting on bright, sunny days. The video continues with a couple more accessories that won’t break the break, along with Jarvas’ straightforward tips for using them correctly.

Once you’re done watching today’s lesson a head over to the Marcell Jarvas YouTube channel where you’ll find a bunch of photography techniques and interesting gear recommendations.

And be sure not to miss the beginners guide to wildflower photography mentioned above.