All photographers strive to attain fast and precise focus no matter what type of images they make and achieving that goal can be a challenge when shooting handheld under challenging lighting conditions. Today’s tutorial from pro Mark Denney reveals his secrets for getting the job done.

Denney is a professional landscape photographer and a highly respected instructor. He recently returned from leading a workshop in Greenland and says, “We were photographing in some of the most difficult handheld conditions imaginable, like low light during Blue Hour on a moving boat.” Handheld photography doesn’t get more difficult than that.

In this episode he walks you through the techniques he taught the participants, who we able to capture amazing images thanks to Denney’s advice. This 11-minute discussions covers a variety of key topics, from optimal camera settings to employing image stabilization. He also demonstrates some interesting ways to hold a camera and steady your body that you likely haven’t tried before.

Denney notes that this is the first photo excursion he’s made without ever setting up a tripod and he promises that by following his suggestions you can get handheld photos that are just as sharp as when using this accessory that many landscape photographers consider essential.

The six tips you’ll learn are presented in what Denney considers the order of importance, with different camera settings being the last thing you should try “when all else fails.” At the top of his list is turning on IBIS (in-body-image stabilization) and OIS (optical image) depending upon the capabilities of your camera and lens.

Less obvious considerations involve how you carry and support a camera, beginning with strap tension. Here he recommends shortening up the strap and using the tension between your neck and the camera body to hold it very tight.

Next is a positional trick that Denney refers to as the “elbow tuck technique” that enables you to securely brace the camera. This simply means pushing both elbows against your body while placing the camera close to your face. Denney says this is a method he uses often, and it makes a big difference.

The lesson proceeds with two more methods for keeping the camera stable and secure. One is what he calls a “face brace,” and the other is the “elbow platform.” Last on Denney’s list are camera settings to try, and when you put everything together you and your camera will be as steady as can be.

You can find more helpful tips on Denney’s YouTube channel and in the tutorial we posted earlier, explaining what another pro says are the best camera modes for nature and wildlife photography, with tips on how to use them.

It’s often easy to capture a good photograph of a beautiful landscape scene, but what if you your goal is something great? This can usually be accomplished during the editing process, as you’ll see in the tutorial below from the popular PHLOG Photography YouTube channel.

Instructor Christian Mohrle is an accomplished German landscape photographer whose straightforward lessons we post frequently. This episode is all about using Lightroom to add depth and dimension to make outdoor photos the best they can be.

There’s a link beneath the video for downloading Mohrle’s demonstration image and we highly recommend doing that so you can follow along and make the adjustments as they’re explained. The photo in question is a nice minimalist scene of a singular tree atop a grassy hill with a plain blue sky in the background.

Mohrle’s standard practice is to make a few basic global adjustment to the original shot before moving on to the transformational tricks that follow. There are three main potions of this shot deserving of attention: the flat pale sky, the hill in the center with highlights on the left and shadows on the right, and the very bright foreground that separates it from the hill.

The first preliminary step is changing the profile in the Basic panel to Adobe Standard which temporarily lessens Contrast—giving Mohrle more control over this attribute as the edit proceeds. He also adjusts White Balance and modifies Tint to eliminate a slight green color cast. Other preliminary adjustments include dropping the blacks, increasing the whites, and adding a bit of Texture while decreasing Clarity.

With the image much improved Mohrle moves on to selective adjustments, beginning with a simple mask  over the sky. As you’ll see, he carefully darkens most of the sky without affecting light entering the scene on the upper left. He does that by dropping exposure to introduce more contrast, modifying color temper to accentuate blue tones, and bringing down Tint to get the exact color he wants.

Mohrle then creates a mask over the foreground, using a brush to eliminate the tree from his selection so that this primary element is unaffected by the enhancements that follow. After a couple more quick masks that get his image really close, is time to finish the job with color grading and careful sharpening.

Color adjustments for this particular image are quite simple, as Mohrle increases blue saturation, uses Luminance sliders to enhance the foreground, and brightens green tones throughout the lower portion of the shot. We think you’ll be impressed when you compare the before/after images.

There’s much more to learn about editing landscape photos on Mohrle’s instructional YouTube channel, so head over there and see what he has to offer.

And be sure to check out the earlier tutorial we posted, explaining the best ISO settings to use for capturing eye-catching landscape, travel, and nature photographs under varying conditions.