If you’re unfamiliar with the term “ghosting” as pertains to photos, it’s basically a type of flare that occurs when stay light reflects off the surface of a lens and make images look hazy with little contrast. It’s an unsightly artifact that degrades the quality of an image—particularly when shooting into the sun.
There are a number of methods that photographers use in an attempt to fix this problem, and frankly some don’t do a great job. But in the tutorial below from the Parker Photographic YouTube channel you’ll learn how to do it right in less than four minutes.
Instructor Chris Parker is an accomplished pro based in Jacksonville, Texas who knows his way around Lightroom. The simple fix he describes involves Lightroom masks and Healing tools. When done right, as they say in a popular television commercial, “it’s like it never happened.”
Parker jumps into Lightroom with the goal of eliminating an unwanted bird in the sky. His initial approach uses Lightroom’s Content Aware tool to paint over the bird. Unfortunately, while the bird disappears, there’s still an outline or ghost of the bird that remains. The same artifact is there when he makes another attempt with the Healing tool. Same thing with the Stamp tool.
So what to do? Here’s what happens as soon as Parker switches off the masks: both the bird and the ghosting effects are completely gone! Turn the masks back on, and the ghosting effect reappears. The question is what’s responsible for the problem: is the culprit the masks or Lightroom’s retouching tools?
Surprisingly, Parker says “it’s a little bit of both.” He explains that “when you make a selection or create a mask, you’re targeting a specific area in an image.” And then when you go to retouch without taking the mask into consideration, bad things can happen.
Fortunately, there’s a fast and effective method for getting the job done properly, and that’s the topic of the last minute of this lesson. Parker starts the edit over from the beginning and walks you through the simple step-by-step process. And it’s remarkable how well it works.
The trick involves doing things in the correct sequence, and once you get it you’ve got it. Bottom line: by following Parker’s advice they’ll be no more ghosting in your future!
Most of the post-processing tutorials we feature involve editing techniques in Photoshop or Lightroom. Today we’re switching things up with a video for Adobe Photoshop Elements users, with a quick and valuable lesson from the HTG George YouTube channel.
As you probably know, Elements is a more affordable and less cumbersome alternative to Photoshop and Lightroom that still offers a robust set of tools that meet the needs of many serious photographers. Today’s episode explains why and how to use Camera Raw when editing images with Elements.
Instructor George Peirson admits to having a “split personality,” because the videos he posts are devoted to both gaming and imaging editing techniques. Today’s lesson involves the latter and explains why you should consider using Camera Raw in Elements for the best possible results.
As Peirson says, “there are some considerations you should make, and things you should think about, when deciding to use Camera Raw images or the JPEG files when processing your work in Elements.” As he explains, most modern cameras enable you to shoot in Raw, JPEG or both.
The problem with JPEG, notes Peirson, is that it’s a compressed format, “which means that you’re not going to get all the information possible.” The reason for the compression is simple: it saves space on your memory card and storage devices. Hence, you can shoot significantly more images without changing cards.
Raw files, other the other hand, contain all the information available. Another reason many photographers shoot in Raw, despite the larger size of the files, is that they’d rather make adjustments to the resulting “digital negative” themselves, rather than trust their cameras to do the initial work. Peirson explains that by shooting in Raw “you have far more control to achieve a result with much better quality.”
With the “why” out of the way Peirson turns to the “how” and what you need to know. You’ll see how to open files in the Camera Raw Editor and get them into Photoshop Elements. He explains the meaning of “Sidecar Files,” and discusses image-size differences and other important considerations.
The straightforward editing method is easy enough for photographers of all skill levels, particularly the less-experienced users who tend to gravitate to Photoshop Elements. You’ll also learn the proper method of saving your work.
If you’re a regular Shutterbug reader you know that we constantly preach the value of developing a unique photographic style, and this is true for beginners and advanced shooters alike. In the tutorial below from the Street View YouTube channel, you’ll learn how to get started today.
There are two basic reasons why a style all your own is a big advantage: One is that your photos will stand out from the crowd. The other is that, over time, your imagery will become recognizable by others who view your work—and more attention will come your way.
Instructor Rupert Vandervell is a British pro specializing in fine art street photography, but what you’ll learn in this episode is equally helpful for just about any images you shoot. He puts it like this: “Developing a personal style can be one of the most rewarding and exciting elements of learning photography. And the feeling that the pictures you make truly represent who you as a person can be very liberating.”
Vandervell says this is a goal for all serious creatives, whether they’re musicians, writers, artists or filmmakers. “They all strive to create something that represents their way of seeing, thinking or performing.” And in this age of media saturation and AI technology, it’s essential that photographers do the same.
Admittedly, establishing a personal photo identity can be difficult, but Vandervell explains several methods for getting the job done. And don’t worry if you’re just getting started, because Vandervell says, “even the most casual shooter out there has something about them that makes the pictures they take unique to them.”
If you think about it, everyone has a different way of seeing the world, and that’s what makes human beings so fascinating. Or as Vandervell says, “You can give five people a camera and one subject, and you’ll get back five different renderings.” This is the jumping off point for developing your unique style.
The suggestions that follow pertain how you view the world and using that perception to advantage. In Vandervell’s case, his imagery is known for clean lines, geometric shapes, and a very stark look, because “that’s influenced by aspects of my personality.” The unique style you create by following his advice will undoubtedly be different, but no less important to your growth as a photographer.
There’s much more to see and learn on Vandervell’s YouTube Channel, so take a look after watching this lesson.
Ever wondered what makes a professional broadcast camera so expensive and huge when other cameras can now easily fit in your pocket or phone and cost less and less?
In this article I will discuss the reasons for this discrepancy, some of which will surprise you.
There are several reasons why TV cameras are so expensive, some of which have to do with the size. And this has not changed in decades. Let’s discuss.
Old broadcast camera being used on a set
The Cost and Size of TV Camera Lenses
Well, one major contributor is the lens.
A top-notch broadcasting lens can cost as much as $200,000. You see, these lenses are designed to capture objects kilometers away with high precision. This requires long focal lengths which aren’t cheap.
Understanding Focal Lengths in Broadcast Lenses
Besides being pricey, these lenses need valuable zoom capabilities coupled with a large focal range. This means having par-focal capability – maintaining focus when changing zoom levels without any loss in clarity or detail, which is not cheap.
Components that Contribute to Lens Size
A broadcast camera lens with a 900mm focal length and an f4.5 max aperture necessitates an optical diameter of 200mm, thus requiring a larger box housing to fit all components needed for operation, including electronics that control zooming or focusing. This means a larger box housing is needed to accommodate all the necessary components:
An array of electronic parts controls various functions like zooming or focusing.
Motorized servos provide smooth transitions between different scenes.
Premium quality glass elements ensure sharp image capture even from long distances, among other factors contributing to their hefty sizes and prices.
The Role of Electronic Parts Within Broadcast Camera Lenses
In addition to the mechanical aspects, numerous electronics are involved in each unit. These include processors that control motor movements based on input signals received via remote controls, sensors that monitor light levels and adjust accordingly, maintaining optimal exposure throughout usage. All these factors combined result in the large-sized bulky devices commonly used across media houses globally today.
Role of Image Stabilization
In addition to all this complexity, there’s also image stabilization at play. Image stabilization ensures clear shots even under unstable conditions.
In our next section, we’ll dive into another component contributing significantly not only to the size but also weight: The Tripod used for Broadcasting Cameras.
The Design and Functionality of Tripods in Broadcasting
Let’s dive into the world of broadcasting tripods. A tv tripod may cost $15,000-$20,000.
A massive tripod and head
These aren’t your average photography stands. They’re the superheroes of stability. And these bad boys can handle any weather – rain or wind, they’ve got it covered. They include a fluid head that is like the fine fluid head on a prosumer camcorder, but on steroids.
Adjusting Dampening Levels on Broadcast Tripods
Dampening levels are a critical feature to understand when it comes to professional-grade tripods used in broadcast settings.
Some tripods offer adjustable resistance for smooth panning and tilting movements during filming.
This precise control over movement is vital, especially while capturing fast-paced action or making subtle changes without disrupting the shot.
Breaking Level Controls on Professional Tripods
In addition to dampening adjustments, breaking level controls play an equally important role.
They provide stability by locking the tripod head position firmly once the desired framing is achieved. This helps maintain consistency throughout recording sessions, avoiding accidental shifts that could potentially ruin shots.
Professional-grade tripods have a robust build quality with heavy-duty materials designed to withstand rigorous use in harsh environments, ensuring longevity and reliability under demanding shooting conditions.
Bulkiness vs Stability: The Trade-Off In Broadcast Camera Setup
No doubt these features make the setup more cumbersome, but they are a necessary evil due to their advantages being greater than any potential drawbacks. Particularly in live broadcasts where there are no second chances at capturing moments with perfect precision, utmost importance is placed on stability.
Understanding the design and functionality of broadcasting equipment like tripods can help you better appreciate the complexities behind producing high-quality video content.
Monitors & Remote Controls: Essential Tools for Broadcasting Cameras
A professional broadcast camera setup is incomplete without a high-quality monitor, which can easily cost $2000.
This integral part of the system not only adds to its overall size but also plays an essential role in delivering live telecasts with precision and clarity.
Monitor Displays: Precision and Convenience
Monitor displays on broadcast cameras are meticulously designed for accuracy and user-friendliness. Besides offering enhanced control over visual output, this function helps maintain accuracy throughout lengthy filming sessions by reducing strain on operators’ eyes and necks due to constant adjustments required for ideal framing.
Their generous size allows for easy tilting, while offering quick access controls like focus peaking, contrast, and saturation. No need to fiddle with lens settings and risk disrupting ongoing recording sessions.
Remote Control Operation
Broadcasting camera setups often include remote control operation systems. This nifty feature allows operators to adjust various parameters from a distance, minimizing disruptions during filming sessions. You have to avoid touching the lens while adjusting focus or other settings during live telecasts. Highly precise motors come into play here. They operate the camera remotely, ensuring smooth transitions between scenes without abrupt changes that could disrupt the viewer experience.
Advantages of Remote-Operated Motors in Live Telecasting
You might be thinking: “What makes these remote-operated motors stand out?”
Precision: These motors offer unmatched precision, making subtle alterations on-the-fly for perfect shots.
Flexibility: With remote controls, operators have the freedom to move around, especially useful for covering large events or moving subjects.
Safety: Avoiding direct contact with expensive equipment reduces the risk of accidental damage, a significant concern when dealing with high-end broadcast gear.
Now, let’s dive into another crucial aspect of professional photography: the intricate process of building a broadcasting camera body. This will give us insight into the features that make these cameras distinct from those made for general consumers.
The Complexity Behind a Broadcasting Camera Body
When it comes to professional broadcast cameras, the body is more than just a shell.
It’s an intricate piece of technology that houses several advanced features not found in consumer-grade devices. Cameras may cost $5000 or more.
Unique Features Present in Professional Grade Cameras
Sophisticated Imaging Sensors:
Broadcasting camera bodies are equipped with advanced imaging sensors.
This allows them to capture high-quality images under various lighting conditions and deliver superior image resolution compared to standard digital cameras.
Lightning-Fast Circuitry:
The circuitry design within these camera bodies is another unique feature.
Complex circuits help process data at lightning speed, ensuring seamless recording even when capturing fast-paced action.
Efficient Heat Dissipation:
Professional-grade broadcasting cameras come with better heat dissipation mechanisms.
This prevents overheating during prolonged use and contributes significantly towards maintaining optimal performance levels.
Despite their compact size relative to other components like lenses or tripods, the role of the camera body should never be underestimated.
Each element housed within this small space plays a crucial part in delivering exceptional results under demanding shooting conditions.
While implementing all these sophisticated elements does take up some space inside the device, they’re absolutely necessary for excellent performance.
Conclusion
Broadcast TV cameras are large and expensive for a reason. It is due to the environment and requirements of live tv, where equipment and operator errors are not forgivable. From the giant lenses to heavy duty perfectly smooth tripods, they are a great piece of engineering. Looking at the prices mentioned, a full broadcast camera setup can run $250,000 or more. Click the following link to learn whether camera tripods are universal.
