World Culinary Awards – the global initiative to recognize and reward excellence in the culinary industry – has announced the nominees for its 5th annual programme.
Voting is now open and runs until 30 August 2024. During the voting window, industry professionals, consumers and the media are all invited to vote for the culinary brands they consider the very best of the best.
This tutorial with five pro tips for capturing eye-catching nature and wildlife images is different than others we’ve featured in the past, thanks to the thoughtful and contemplative style of professional photographer Kevin Nordstrom. You’ll follow him explore the shore of a lake while capturing amazing photos of birds, turtles, wildflower and more.
Nordstrom isn’t one of those shooters who sets the camera to high-speed continuous mode and jams down on the shutter release—hoping to grab a decent image or two as he fires away. Rather, Nordstrom takes a more methodical approach in today’s chaotic world. He prefers quality to quantity and as a result his “batting average” is really high.
The essence of the eight-minute tutorial is this: “Nature and wildlife photography is about much more than the gear. It’s the experience of using your senses to see, touch, hear, and smell, while listening to what nature is trying to teach us during the photography process.” In other words, slow down and learn to concentrate on the art rather than on the gear.
In short, the handful of tips that Nordstrom provides will both simplify your nature and wildlife photography and improve your work. The advantage of shooting at a slower pace makes it far easier to identify the best opportunities at every location, and you’ll be more “intentional” about the images you make. You’ll also discover than your enjoyment of the great outdoors will increase by leaps and bounds and the photos you capture will be far more meaningful.
This methodical approach also enables you to be more thoughtful about the camera settings you choose and the manner in which you frame a scene. Another suggestion is to embrace both your superpowers and flaws as a photographer. Or as Nordstrom puts it, “your superpower is not your camera or lens, it’s your ability to understand what you’re looking at and what you’re feeling along a river, on a mountain, in a valley, or even at a local duck pond.”
Apart from these rather philosophical considerations there are also practical suggestions for experimenting with Nordstrom’s approach, and we’re pretty sure your enjoyment of photography will increase as much as the quality of the images you make.
The use of negative space is a powerful compositional tool employed by experienced outdoor photographers to give photos a minimalist quality that really grabs attention, whether you’re shooting landscapes, seascapes, or all sorts of nature photos. This quick and easy tutorial demonstrates everything you need to know in less than five minutes.
Today’s how-to video was produced by our friends at the Viewfinder Mastery YouTube channel, an online community of photographers and educators who share interesting techniques that enable you expand your vision and the types of images you shoot. This episode will convince you that negative can be super positive.
This behind-the-scenes lesson takes place during an inspiring sailing adventure in Northern Norway with Matt Anderson who is the channel’s Director and Lead Instructor. He notes that shooting on the water is “the perfect location for practicing with negative space photography and composing with minimalism in mind.
Don’t worry if you don’t have access to the sea because everything you’ll learn can be applied to shooting in the field. After briefly introducing his motley shipmates, Anderson explains the concept like this: “Negative space is closely related to minimalism and it emphasizes not just the subject but also the empty space around the subject.”
What makes this style so compelling is this: Although the viewer’s eyes may focus on a central element, they can’t help but notice the vast area of emptiness that defines this solitary subject. In short, regardless of whatever form this featureless portion of the frame takes (on the water or on the ground) it helps you tell story by providing definition and emphasis to the key object in the shot.
While demonstrating how to accomplish this style of photography Anderson notes that it “requires a single focal point of some kind, and that person or object is considered the positive space.” The featureless area in the frame, be it a blank sky, an empty field, or even a white background in the studio, is the negative space that can be artfully employed to accentuate the main focal point of the scene.
According to Anderson, the negative space should be “impossible to miss and occupy at least 50% of the frame.” In other words, you want this space to sort of steal the show. His clear advice is illustrated with beautiful imagery that will provide all the motivation you need for give this unique form of composition a try.