If you’re new to post-possessing we empathize with the plight and what must seem like an insurmountably steep learning curve due to the seemingly endless array of features and tools offered by just about any software you use. Today’s video will help ease the pain and accelerate the process by identifying five common errors made by novices and even intermediate photographers.

Instructor Scott Keys is a successful pro specializing in wildlife photography with an emphasis on birds. He’s also equally adept behind the computer and the goal for this 17-minute beginners guide is to prevent you from falling prey to a handful of image-editing problems that bedeviled many of us when first getting started.

According to Keys, many photographers are guilty of overcropping because they’re “hyper-concerned” with making the main subject in a scene as prominent as possible—especially when their lens isn’t long enough to get in as tight as possible. As a result, they turn to excessive cropping that can really mess up a shot for the reasons Keys explains.

Another super common editing error (that we sometimes see from more advanced photographers) is what Keys refers to as “slider overload.” This occurs because many users fail to appreciate the beauty that results from a subtle approach to processing. Thus, photographs often appear “overlooked” because of a heavy-handed method of using a variety of adjustment sliders—especially when it comes to sharpening and noise reduction.

A third mistake that creates unnatural photos has to do with modifying light in a way that simply doesn’t appear natural. Here Keys provides two examples that illustrate these issues and a simple solution for each. The first faux pas involves how some folks attempt to simulate Golden Hour by incorrectly changing color temperature. Also problematic is a tendency to adjust exposure in a way that make images look fake.

There are still two additional problems (and fixes) to round out the lesson, and you’ll have to watch the video to see what they are. Suffice to say, they can be equally damaging during the editing process as those mentions above. Likewise, the simple corrections are very easy to understand.

While this lesson is presented with wildlife imagery in mind, everything you learn will prove equally valuable for all genres of photography in the field. Once you’re done take a trip to Keys’ YouTube channel where there are many more videos of interest.

We also recommend that you check out another tutorial we featured, explaining when and how to use Lightroom’s powerful Local Adjustment tools to significantly elevate the quality and impact of your photographs.

The headline above is sure to raise some eyebrows but you read it right. Photographer Deke McCelland says, “I’ve been using Photoshop since Day 1 and I never use the crop tool. Don’t get me wrong, I crop my images but not with the Crop tool, let me explain.”

McCelland is an image-editing expert who marches to the beat of a different drummer, posting “digital imaging lessons you won’t soon forget that aren’t your ordinary tutorials.” This episode explains why he studiously avoids Photoshop’s Crop tool—taking a deep dive into the alternative techniques he prefers depending upon the specific task at hand.

The demonstration photo is one McCelland created in Adobe’s Firefly AI image generator and he makes a few basic adjustments and replaces the subject’s dull eyes to perfect the effect. The next step is cropping because the original aspect ratio isn’t what he wants.

So what’s McClelland’s objection to Photoshop’s standard Crop tool? In a nutshell, it’s this: “The thing about the Crop tool is that’s it’s quite messy and can easily damage an image. And there’s a lot going on even though it’s disguised as a simple tool.” He also discusses what he says is a “terrible default setting” that Adobe included “to keep newbies from getting confused.”

After describing a few other problems, McCelland demonstrates how he does things differently and more effectively, and he covers a lot of ground. You’ll learn his method for cropping to a specific aspect ratio and how he crops to specific pixel dimensions. He also reveals why Photoshop’s Canvas Size command factors into the process and the best method for sizing an images to fit the canvas you create.

McCelland introduces a bit of “basic math” to justify how all this works, but even those with an aversion to calculations will find this really easy to understand. The lesson concludes with a straightforward explanation of how to export flat Jpeg and PNG files.

Bottom line: In just 14 minutes you’ll learn a better technique for achieving the exact cropping results that you’re looking for. After watching the video pay a visit to McCelland’s instructional YouTube channel for more “outside the box” post-processing techniques.

And be sure to check out the helpful tutorial we featured recently from another image-editing expert who demonstrates how to restore old, damaged photos and give them new life in Lightroom and Photoshop.

Here a simple way to differentiate between knowledgeable Lightroom users and their less experienced counterparts: The former use local adjustment to maximize their edits while the latter fail to understand how these essential tools provide significantly better results.

The goal of today’s eye-opening tutorial from Utah-based landscape pro Austin James Jackson is to provide a few pro tricks to help your photos POP by selectively improving color, exposure contrast, and other key variables. By following his advice you’ll be able to give outdoor images a more polished and finished look with greater depth and dimension.

Here’s the common mindset that Jackson is trying to change: “A lot of photographers will adjust the basic sliders, they’ll go through the Tone Curve and Hue/Saturation sliders, and then they’ll call it a day.” If this workflow sounds familiar, you’re leaving a lot on the table with regard to the full potential of every photo you process.

Lightroom’s Local Adjustment tools reside inside the Masking panel and Jackson insists that learning how to use them will “instantly” make you a better photographer. Unlike the global adjustments mentioned above, this selective approach enables you to enhance specific portions within the frame using whatever tools are required, without affecting the rest of the image.

Today’s demonstration shot is a pretty seascape scene with rosy colors in the clouds and similar warm reflections in the water. Jackson already made a few basic enhancements like those mentioned above, and many photographers would be pleased without any further adjustments. But watch what happens when Selective Adjustments are applied with straightforward masking techniques.

Jackson walks you through simple step-by-step masking techniques that are designed to take the impact of his photograph “over the top.” First on the agenda is employing a Radial Gradient to add a subtle glow to a specific area in the sky. He does this by raising Exposure, boosting Highlights, and increasing Saturation. He also drops Dehaze and modifies Feather.

The transformation proceeds in a similar fashion with other types of masks, applying adjustments only where they’re needed to balance out color, tones and other important variables to arrive at a beautiful result.

Once you see how all this this works you won’t be able to unsee it—and that’s a very good thing because these techniques will improve your imagery by leaps and bounds. Be sure to visit Jackson’s YouTube channel, especially if you’re a landscape photographer, where is much more to learn.

We also suggest watching a tutorial we featured recently with another accomplished pro who demonstrates a powerful Lightroom technique that accentuates landscape photos with menacing weather for a very dramatic effect.