If you’ve ever struggled getting a sharp image while seated in your car, you need the new Window Mount Clamp from 3 Legged Thing.

You know the drill: you’re driving through a park or nature center and spot an 8-point buck a hundred or so feet off the road. You stop, turn off the engine, and slowly frame the giant stag by zooming your 100-300mm lens all the way out. Shot looks good until you get home and take a closer look on your computer. Nope. Blurry again.

Shooting from a vehicle is awkward and fraught with limitations, to say the least. 3LT’s Window Mount Clamp is now my go-to tool for the job. It’s not the only car window tripod-like thing ever invented, but it has the best design and construction I’ve ever seen. And the use isn’t limited to cameras. 3LT’s Window Mount Clamp with the right third-party adapter works great with GoPros, binoculars and smartphones, too.

The Window Mount Clamp is available alone or in a kit with a 3LT AirHed Trinity compact pan and tilt head. I’ve been using the kit version. It attaches to a partly-raised car window very securely and delivers an amazing range of movement. The clamp jaws are lined with soft-touch rubber so there are no marks or scratches. The clamp tightens firmly via a large, easy to turn knob. The top fitted with a standard 3/8-16 screw thread so you can attach the tripod head you already own if you choose.

The 3LT AirHed Trinity compact pan and tilt head provides 360° rotation and features a large adjustment handle for fast operation. The combination clamp and head are made predominantly of magnesium alloy and weigh 21.2 ounces (600g). It comes with an Arca-compatible camera mounting plate, and of course accepts other Arca-compatible mounting options, including 3LT’s complete lineup of camera-specific L-brackets.

The 3 Legged Thing Window Mount Clamp and kit are available now in Moss (green) or Darkness (matte black) colorways. The clamp alone costs $49.99 and the kit, which includes the matching 3LT AirHed Trinity compact pan and tilt head, costs $129.99. Both flavors are backed by a 5-year limited warranty.

6 Tips When Using the 3LT Window Mount Clamp
1. This rig is intended for lighter weight cameras. Don’t hang a giant DSLR and 600mm lens on it unless you’re cruising for heartache.
2. Park in a safe and legal place. This goes without saying, but I see some weird driving at our local nature center.
3. Turn the engine off. Even the slightest vibration created at idle can ruin image sharpness.
4. I don’t recommend opening or closing the car door with the camera attached to the clamp.
5. If your driver-side window automatically goes up and down with one button press, either cancel the feature temporarily or use extra caution.
6. If you drive with the camera attached to the window, do so very slowly and watch out for those speed bumps that parks always have hidden where you least expect them.

Want to Become a Better Photographer?
Begin by taking more pictures. Carry a camera everywhere you go and shoot even when you’re 100% sure the picture won’t turn out. Review all of your images with a critical eye and share them with others – and that includes posting the best on our Gallery. Subscribe to our free newsletter (see sign-up form on our homepage) and bookmark Shutterbug as a Favorite on your browser so you can check back often. We’re in this for the same reason as you – we love photography, and we’re learning more about it every day.

—Jon Sienkiewicz

Last week, I shared some of the steps that went into photographing my first safari – where I went, what I brought, and how I backed up my photos. Today, I’ll share the second half of my experience and how everything went in practice. If you missed part one of this two-part series, I recommend reading it here.

When first starting out we all faced a barrage of so-called “Rules of Photography” that supposedly would set us on the path for success. But as our skills evolved it became apparent that some of these rules we’re meant to be ignored.

Near of top of this list of conventional “wisdom” was the Rule of Thirds—still considered by many shooters to be the Holy Grail of photographic composition. In this tutorial, however, you’ll learn why one pro adamantly disagrees, and he insists that this particular rule is “really bad advice.”

Instructor Leander Hoefler is a very accomplished photographer who specializes in outdoor and travel imagery. He admits that the Rule of Thirds can be helpful in certain situations but says that it can often lead you astray and be detrimental to the images you create. He demonstrates how understanding and employing the the concept of “visual balance” is typically a far better way to frame up your shots.

As Hoefler says, “what you include, what you exclude, and how you position elements in the frame is ultimately the skill that separates a photographer from someone who’s just taking a picture.” He briefly describes the Rule of Third (in case you’ve been living in a cave), and then he provides three examples when it’s effective, and three others where the rule definitely falls short.

Hoefler also debunks the common notion that you should never place a key subject in the middle of the frame. The second half of today’s lesson is devoted to his technique for creating visual balance, the approach Hoefler uses more often than not. He recommends that you trust your artistic vision—and compose images in a way “that feels harmonious to your eye.”

Sometimes this means placing a subject in the middle of the frame which tends to create balanced images with a serene look. In other instances he’s motivated by establishing visual weight” when deciding upon  a composition.

Here’s how Hoefler describes the latter approach: “If you push the subject to one side without anything to draw attention to the opposite side, the image becomes imbalanced and it’s important to reframe so there are multiple points of interest within the frame.” You’ll also see how the size and brightness of an element contributes to its visual weight.

The video concludes with a few more examples of Hoefler’s approach to effective composition. His interesting YouTube channel is well worth a look whether you’re a beginner or a more experienced shooter.

We also recommend within a tutorial we featured earlier from another pro who explains why mastering one essential camera setting is an absolute must if your goal is capturing creative photographs that demand attention.

Today’s portraiture tutorial takes you behind the lens of an accomplished pro who shares several “essential tips for capturing  breathtaking photos both indoors and outdoors.” Whether your’re just getting started making people pictures or you’re looking for ways to up your game, this quick lesson is just what you need.

These basic techniques can be accomplished with just about any gear you own, and instructor Jean-Philippe Desrois explains what to look for when shooting in a simple home “studio,” as well how to approach environmental portraits outside with available light.

Desrois cover a lot of ground in barely eight minutes so you may want to jot down a few notes as he demonstrates a variety of helpful suggestions. He begins indoors and helps you determine the best area in which to shot—like where there’s a large window providing indirect illumination.

He also describes the best background for your shot, and how adding simple props will contribute to the story you’re trying to tell. Skillful composition also plays an important role, and Desrois provides a few framing suggestions for impactful results.

Desrois likewise suggests how find an appropriate location when shooting in the field. You’ll see the elements he looks for and how to use sunlight to advantage when working with natural light. He also describes how to stay creative in any situation by adapting to changing weather conditions.

Another key aspect to all forms of portraiture is understanding how to pose models in a way that’s both comfortable and flattering. And this holds true whether your subject is male or female. Desrois provides several effective solutions that encourage confidence and help the model feel at ease and look their absolute best.

The discussion concludes by demonstrating how to experiment with various vantage points and camera angles that will provide a unique look and set your work apart from the rest. There’s much more to learn on Desrois’ instructional YouTube channel, so be sure to take a look.

And for mastering the basics of shooting boudoir, a unique form of portraiture, be sure to watch last week’s tutorial with several tips from another accomplished pro who explains how to use available light to get the job done with perfection.