Today’s Photography News will begin and end a bit unconventionally with a little reflection on the topic of health. Art therapy is a proven method for diagnosing and improving an individual’s mental health. Personally, I occasionally prescribe myself “photo therapy.” This is not light therapy, as you could read about on Wikipedia, but instead using photography as a tool to improve one’s health.
There are many reasons why wildlife photos can turn out poorly, but there’s one that I see more than anything else. Is it bad focus? Not any more – subject detection has really minimized that problem. What about high ISO noise? Nope, a few clicks and the photo looks clean. The animal is looking in the wrong direction, or is obscured by a piece of vegetation? Well, we’re getting close…
In the vein of capturing moments that speak volumes, we’re thrilled to annnouce GuruShots‘ latest photographic endeavor, the “Mostly Black” challenge: an invitation for photographers to delve into the intriguing world of monochrome, showcasing the power and elegance of black, white, and every shade in between. The entrants have surpassed expectations, presenting everything from the stark contrast of a shadowy silhouette to the subtle nuances of grayscale landscapes.
The top entries stood out due to their adept use of contrast, skillful manipulation of tones, and their ability to capture the essence of the “Mostly Black: theme. The displayed talent and artistic vision were truly captivating, demonstrating these photographers’ remarkable ability to convey profound stories and emotions through shades of black and white.
We are proud to showcase the winning images below, along with seven impressive runner-ups. Additionally, don’t miss the enthralling slideshow gallery at the end of this article, featuring more exceptional entries from the “Mostly Black” challenge. Also, check out GuruShots’ newest app AI Art Master.
Winning Images
Olga Robertson, Cuba — Top Photo Winner
Gary Cox, United Kingdom — Guru’s Top Pick Winner
Sanja, Bosnia and Herzegovina — Top Photographer Winner
Every great photo needs a compelling subject to capture the viewer’s attention but achieving this goal this be quite challenging when shooting on flat or gloomy days when everything in a scene seems to blend together.
Thoughtful editing is required under these circumstances if you want to make a subject stand out from surrounding areas and transform a lifeless photo into a winner. The tutorial below from the PHLOG Photography YouTube channel demonstrates how easy this is to accomplish in barely 12 minutes.
Instructor Christian Mohrle is a German landscape pro with a portfolio of stunning images, thanks in part to his formidable image-editing skills. His goal for this tutorial is to significantly accentuate a small boat in the middle of a dim lake, while enhancing surrounding areas in the shot.
As always you can download the demonstration Raw file using a link beneath the video and make the adjustments yourself as they’re explained. It’s a long-exposure image that’s really dark. Hence, Mohrle begins with a few basic global adjustments before turning his attention to the boat and applying selective enhancements that really make it “POP.”
The initial step is changing the Profile from Adobe Color to Adobe Standard. This takes barely a second and slightly brightens up the darkest parts of the photo. Now it’s time to take things further with a few easy exposure adjustments to the overall image. Mohrle suggests keeping a close eye on the histogram so you don’t take things too far and introduce overexpose in the brighter portions of the scene and lose details in the sky.
As you’ll see, the histogram is also useful for neutralizing any unwanted color casts. Other basic adjustments include adding Texture and dropping Clarity and Dehaze—with the last two modifications intended for retaining the soft effect that Mohrle desires. He also boosts Vibrance for more Saturation.
Now the image is much improved, but the boat still blends in with the rest of the shot, and it’s time to correct that with localized masking, beginning with a Linear Gradient at the top of the scene. This enables Mohrle to apply several selective adjustments to make the sky more dramatic and bring it into balance with the rest of the photo.
Another Linear Gradient is used to enhance the foreground by “pumping it up all the way” with Clarity and a couple other tools. Now the reflections in the water are readily apparent and add much more interest to the shot. A Radial Gradient over the boat completes the masking.
All that’s left to finish the transformation is some straightforward color grading, sharpening, and a bit of cleanup. A quick look at the before/after images illustrates the effectiveness of this edit. There’s much more to learn on Mohrle’s instructional YouTube channel and we strongly recommend taking a look.