Today were looking at another powerful new feature in the latest Lightroom update—one that delivers improved edits and a better workflow when working with compatible HDR displays. High Dynamic Range (HDR) displays provide greater brightness and contrast than their more common Standard Dynamic Range (SDR) counterparts.

As you probably know, previous versions of Lightroom include HDR capabilities, like Merge to HDR for blending multiple images to create an HDR photo. But that technique was limited to SDR monitors, and the on-screen results were restricted to 8-pixel values and the standard brightness range of the user interface.

Lightroom’s sophisticated new HDR Optimization feature not only enables you to view and edit HDR photos on compatible displays, but you now have the ability to save HDR photos and open them in Photoshop. And the resulting enhancements you make will be far impactful than ever before.

Instructor Terry White has been with Adobe for over 20 years, so he’s always up to speed on the latest software developments. He’s also a very accomplished landscape photographer, known for an impeccable use of color, and he puts his expertise to work in the four-minute explainer below.

As White explains, HDR is a technique whereby you shoot and merge multiple images in a way that provides a balanced exposure with enhanced details in both shadows and highlights. But here’s the rub: “Until now, you’ve been able to create HDR photos in Lightroom, you’ve been able to view and edit them, but you’ve been looking at them and editing them in SDR.”

That all changes today as White explains how the new feature works. His demonstration image is a pretty lake-side scene captured in Iceland, with an interesting pier in the foreground and imposing peaks further back. The problem is that the sky and mountains are overexposed, but fortunately the details are still there.

As you’ll see, “by clicking on the new HDR button to edit and view the file in HDR, you’ll see increased depth and realism, improved highlights, deeper shadows, and enganced tonal separation”—as long as you own the right monitor. You can output the image to HDR as well.

You’re likely watching the lesson on an SDR monitor, but White smartly recorded the entire process on his HDR screen so you can see the dramatic difference this new tool makes on whatever monitor you own. He turns the effect on and off, and you’ll agree that his results are impressive.

You may even be inspired to replace your monitor with one that’s compatible with Adobe’s groundbreaking HDR Optimization—especially if your current screen is getting long in the tooth. There’s much more to learn about all things Adobe on White’s instructional YouTube channel.

And be sure to check out the tutorial we posted recently from another post-processing expert, explaining how to use Lightroom’s new Point Color Tool to clean up ugly tones and achieve photos with perfect, natural looking color.

Nikon has long been known for their high-quality telephoto and super-telephoto lenses. Today, with the mirrorless Nikon Z system, there are already seven lenses which reach at least 400mm (without needing a teleconverter) as well as a host of F-mount lenses that can be adapted to mirrorless, too. Which one of these many super-telephoto lenses is the best one for Nikon Z photographers? We’ve done an extensive side-by-side test to answer that very question.

There’s nothing worse than coming upon an awe-inspiring landscape scene, setting up your gear, and capturing what you think is an epic photograph—only to discover that the image is soft when you review it on the computer. The are a number of reasons for unsharp images, and the tutorial below provides a “guaranteed” method for nailing focus every time.

Instructor Ian Worth is a professional landscape photographer based in Wales, and in this behind-the-scenes episode you’ll follow him on the Welsh coast while discussing his foolproof method for achieving natural looking images with optimum sharpness regardless of conditions.

So what’s the secret to Worth’s consistently sharp photos? It’s a straightforward technique known as “back-button focus” that many pros use when shooting landscapes, wildlife subjects, sporting events, and the types of outdoor images. Worth explains everything you need to know for doing this yourself in barely 12 minutes.

According to Worth, “back-button focus is a powerful technique for all types of photography and it allows us to have greater control over a camera’s autofocus system.” The first thing you have to do is disable the conventional autofocus function on your camera’s shutter button. Then you assign AF control to one of the customizable buttons on the rear of the camera. Some models even have an AF-On button designed specifically for this task.

By decoupling the focus function from the shutter button you can now compose your shot in the normal way and use your thumb to lock focus on a specific point within the frame by using the button on the rear of your camera. Worth demonstrates why this is a preferable approach, “particularly when you want to capture multiple shots without having to refocus—especially when you need to recompose the scene without altering the point of focus.”

You can use back-button focus with both single-point and continuous AF. Worth explains that one of the many advantages of this technique occurs when your camera is securely mounted on a tripod. In such situations Worth rotates the tripod head so that the focus point is in exactly the right place. Then he uses the back button to initiate focus before recomposing the shot.

Before pressing the shutter button to capture the photo Worth uses his camera’s zoom feature to confirm that the scene appears tack sharp on the rear LCD. He offers a few other simple tips for using back-button focus to achieve precision results.

You can find more tips and tricks for better landscape photography by paying a visit to Worth’s popular YouTube channel, take a look when you have time.

We also recommend watching the tutorial we posted recently from a popular image-editing expert, explaining how to use Photoshop’s Super Zoom neural filter to get in tight on a subject when shooting in the field—without sacrificing image quality.

We’ve been working through all the new capabilities of the latest Lightroom update, and today’s tutorial from the Photoshop Café YouTube channel demonstrates a powerful new feature that is nothing short of “stunning.” In less than eight minutes you see how the new Point Color tool works.

Instructor Colin Smith is an expert at all things Adobe, and in this episode he demonstrates the use of Point Color in Lightroom and Adobe Camera Raw to fix difficult color issues and remove tonal contamination in your images. As he says, “this would have been so difficult before, but now it’s easy.”

Smith begins with a quick explanation of how Point Color works, before jumping into a step-by-step demonstration of using the new tool. To get started he selects the Color Mixer where the Point Color option appears at the top right of the panel with a number of sliders underneath.

The first step is grabbing the Eyedropper and selecting a color within the photo that’s confirmed in a swatch above the sliders. In this case he chooses a green tone from the hedge in the foreground of his image. Now you can use sliders to adjust Hue, Saturation, and Luminance.

One helpful trick becomes available when you hold down the Option key on your keyboard. Then as you move the sliders you’ll see that the areas that are in color are those being adjusted, while the portions of the shot that appear in b&w will be unaffected by your adjustments. This makes it really easy to keep track of what you’re doing.

There’s a fourth slider beneath the Hue, Saturation and Luminance options that’s called Range. This one enables you to refine the enhancements you’ve made. Pulling this slider all the way to the left narrows the range of the selection. Conversely, moving the slider to the right does the opposite. And there’s a button that enables you to visualize whatever range you select.

With these basics out of the way Smith turns to a practical demonstration of how to isolate specific colors and enhance them in various ways. The lesson wraps up by illustrating the simple steps necessary for fixing unsightly color contamination to achieve an image with beautiful tones.

There’s much more to learn about editing your work on the Photoshop Café YouTube channel, so be sure to take a look.

And don’t miss  the tutorial we posted recently from another image-editing expert who reveals what he considers “Lightroom’s most powerful tool” and explains how to use it.