Here’s a tutorial from one of the world foremost post-processing experts who demonstrates how easy it is to use Photo Merge in Lightroom Classic to combine bracketed exposures into a High Dynamic Range (HDR) DNG file that contains all of the quality and flexibility of a Raw file. If you’ve avoided this editing method, thinking it was beyond your skills, that’s going to change in the next six minutes.

Julieanne Kost is an adept photographer, workshop instructor, prolific author, and a specialist in simplifying Lightroom and Photoshop post-processing techniques. In this episode she merges multiple exposures of a scene into one image with perfectly balanced tones that would be impossible to achieve with a single shot.

Kost begins by selecting a trio of images that were captured with three different exposure settings one stop apart. You can always combine more or fewer photos depending upon how many exposures are needed to faithfully capture the entire dynamic range of a scene.

There are a few key settings required for optimum results, and the first is made in the Lightroom’s Develop module where Kost enables Auto Sync. She then moves to the Lens Correction panel where she selects Remove Chromatic Aberration and enables Profile Corrections.

The next step is tapping the “G” key to return to a Grid view, then Kost clicks the Photo tab atop the screen and chooses the Photo Merge option from a dropdown menu that appears. You’ll see why it helps to expand the HDR Merge preview up to a limit of 2,048 pixels.

Auto Align is enable by default, and this tells Lightroom to align each of the images if there was camera movement between each of the exposures you intend to merge. Uneven edges will also be cropped once the multiple exposures are aligned. These automatic corrections are especially beneficial when you captured the photos without the camera locked down atop a sturdy tripod.

Kost notes that the foregoing changes “are non-destructive and can be refined or removed from the resulting HDR file without any loss of quality.” After modifying a few other options for specific situations, you’re ready to complete the simply process and Kost walks you through every step of the way.

We encourage you to spend time on Kost’s instructional YouTube channel where you’ll find helpful lessons for just about any post-processing technique imaginable.

And don’t miss the recent tutorial we featured with another image-editing expert who reveals seven straightforward Lightroom hacks that are guaranteed to speed up your photo-editing workflow.

Are ready to elevate your street photography skills and capture spectacular imagery? If so, this 12-minute video demonstrates a powerful yet simple technique for getting the job done.

Instructor Peter Forsgard is a Helsinki-based pro whose tutorials explore the art and techniques for capturing the essence of urban life. In this eye-opening episode he demonstrates how to unlock your street photography potential by incorporating reflections into your photographs.

Forsgard’s methods are appropriate for beginners and experienced photographers alike. As he says, “This technique will help you capture stunning images that tell compelling stories.” The practical insights you’ll learn will definitely enhance your creativity and take your street photography to the next level.

Reflections can be found everywhere in the urban landscape during daytime and at after the sun drops below the horizon. As you’ll see, suitable subjects include windows, shiny building surfaces reflecting light, puddles on the ground after rain, traffic mirrors, vehicles with reflective surfaces, and many others.

Forsgard’s first of seven foolproof tips demonstrates how to experiment with camera angles and the vantage point you choose to heighten the effects. He notes that when shooting straight on you’ll often appear in the reflection. Sometimes this may be what you want to include yourself in the story, but usually it’s not.

The next tip is to play with light and make a dull scene more interesting, and Forsgard puts it like this: “When photographing reflections you need some shadow play with both bright and dark areas within the frame.” You’ll see why this approach is particularly important when shooting at night.

Other key topics include creating symmetry, including human elements in a shot, and conveying movement in the reflections. You’ll also learn how to layer reflections for enhanced depth and dimension, and why focusing on color and contrast makes a big difference.

There’s also a quick discussion about gear, and Forsgard includes a link in the description beneath the video with a list of his favorite equipment. After watching the tutorial take a look at his instructional YouTube channel, where you’ll find additional tips and techniques for photographing on the street.

And don’t miss the recent tutorial we featured with another accomplished pro who demonstrates how to rehabilitate outdoor photographs with distracting backgrounds using a powerful in-camera technique.

Not long ago we featured an interesting Photoshop tutorial explaining how to transform ho-hum daylight scenes into spellbinding photographs that appear as though they we’re shot at night. Today’s tutorial is about the real thing, with several pro tips demonstrating how to capture dramatic landscape imagery after the sun drops below the horizon.

British pro Nigel Danson is a favorite among Shutterbug readers because they marvel at his beautiful imagery and appreciate the transformational shooting and editing technique he provides for emulating his work. Danson recently ventured into the woodlands to try his hand at nighttime landscape photography and he was pleasantly surprised by the photos he captured.

Danson carried his normal assortment of gear, apart from a couple headlamps he used to find his way through the forest and throw a bit of light into the foreground of his images. Conventional flashlights will also work, but Danson’s “head torch” enabled him to keep both hands free and operate the camera in the normal manner.

As his companion explains, “we’re looking for scenes that we can shoot with a wide-angle lens that will benefit from very simple illumination.” The goal was to capture images with an eye-catching, ethereal look. The came upon a big, old, gnarly tree that was ideal for this unusual task.

Danson started with backlighting by placing his light behind the tree , using a 30-second exposure with a 10-second delay so he had time to run back to the camera position before tripping the shutter. As you’ll see, the resulting image is quite impressive.

Another effective approach is to use sidelight while painting the scene with light. As you’ll see, this approach requires a bit more experimentation but once again, the photograph Danson made is definitely a keeper. As he excitedly exclaims, “this proves that in photography there are so many ways to do something.”

Danson’s trek continues as he tries other techniques that you’ll want to experiment with yourself. There’s nothing fancy about his methods or gear, but the photographs are far different than conventional daytime landscape shots you’ve made in the past. And different is what makes your imagery standout from the crown.

After watching the video be sure to check out the tutorial mentioned above that explains an intriguing Photoshop day-for-night edit.

Then head over to Danson’s instructional YouTube channel for more landscape photography tips and techniques.

This tutorial from the popular Photoshop Café YouTube channel begins with a blunt question: “Do your Photoshop masks suck?” If this problem is a regular occurrence, the following tutorial will set you free in less than nine minutes.

Photographer and author Colin Smith has made a living using Photoshop for over 20 years, and he conducts training session for both Adobe and Apple. He describes today’s quick episode like this: “I’m going to give you five tips to clean up your selections, get crisp edges, and nice, clean cutouts.”

Just to be clear, this lesson isn’t about making selections, rather it’s about refining your selections and getting those edges looking perfect. Smith opens a surf shot in Photoshop, creates a mask, and gets to work by explaining how to visualize trouble areas within the frame by adding a stroke in Photoshop’s Effects panel—making sure to do so with a color like red that’s really easy to spot.

The next trick takes place in the Properties panel where you can change the view to black or white, depending upon the image at hand, to make problematic issues even easier to discern. Then it’s a simple matter to eliminate color fringes and other ugly artifacts by enabling the Decontaminate Colors output setting.

Smith demonstrates Tip #3 with a second photo and you’ll learn his precise method for blending edges into the background. He grabs “Select Subject and pops it onto a mask. Then he chooses Inverse so that the selection includes everything in the photo except the person in the center of the frame. Next he expands the selection which makes it easier to proceed.

You’ll also see how to shift the edge of your mask by adding a solid Adjustment Layer, again using bright red. This makes it easier to spot rough edges when you zoom in closer. He explains  a couple tricks for cleaning up the edge, one of which involves adding a bit of blur.

The lesson concludes with a few tricks that accomplish a final, general cleanup, after which the edges of your masks are absolutely pristine. Smith’s popular YouTube channel includes instructional videos on just about any Photoshop technique you can imagine, so be to check it out the next time you run into a problem.

We also encourage you to watch a tutorial we featured with another post-processing expert who demonstrates why “Adaptive Presets” are different from others you use, and how to employ them to create unique photographs that pack a punch.