Fast and precise focus is a primary goal of all photographers regardless of the type of images they shoot. Today’s your lucky if back-button focus isn’t part of your repertoire, because this tutorial from First Choice Photo will bring you up to speed on this game-changing technique in the next 13 minutes.

Instructor Mike Patterson is an award-winning pro with years of experience who says that this easy-to-master focusing method is one that “every photographer should know.” Here’s his goal for today: “I’ll break down what back-button focus is, why it’s essential, and how to set it up in your camera.”

This technique is popular among experienced photographers for a variety of reasons, whether they’re shooting fast-moving subjects or they just want more control over their focusing points. Either way, Patterson promises that after giving back-button focus a try, “the results will blow you away.”

This very effective approach involves assigning focusing to a button on the back of the camera, rather than relying upon the shutter button to handle this important task. As you’ll see, there are several reasons for limiting the shutter button to capture the image while using your thumb on the back of the camera to lock focus whenever you want.

Patterson walks you through the step-by-step procedure for setting the camera correctly to work properly with this powerful technique. He also explains a few options for doing so to meet your specific needs. There are also a few custom settings that are worthy of attention.

One interesting trick involves using the back button in combination with Manual focus. Patterson admits that there are a few potential drawbacks when taking this approach and how how to avoid them. He also describes certain situations under which you may want to revert to the shutter button and not use back-button focus at all.

But with a bit of practice and experimentation it’s likely that you’ll jump on the back-button bandwagon from now on. Be sure to check out the First Choice Photo YouTube channel where you’ll learn how to unlock other handy camera features.

And don’t miss last week’s gear guide from another accomplished pro who reveals what he considers 10 “must have” photography accessories that will significantly boost your enjoyment and success without breaking the bank.

Today’s post-processing tutorial is devoted to a “critical” task that one pro says can make or break your entire workflow and really slow you down; namely, the method you use to import images into Lightroom.

Instructor Christopher O’Donnell puts it like this: “It’s the first step that most photographer get wrong, and it’s because they don’t really understand how the Catalog works behind the scenes.” O’Donnell  is a Photoshop/Lightroom expert whose videos are designed to help nature and landscape shooters streamline their workflow while achieving optimum results, and this one is super important.

Like all of O’Donnell’s lessons, this episode covers both the why and the how because, “this is the direct path to creating the images you desire.” In barely 10 minutes he pulls back the curtain on the Lightroom Catalog and demonstrates how it interacts with your Raw files. By following his succinct advice you’ll avoid frustrating and time-consuming mistakes.

The last thing you want to is set yourself up for failure at the onset, which is what some photographers do by incorrectly organizing their files before even hitting Lightroom’s Import button. O’Donnell begins by explaining the architecture behind the Catalog so that you’ll understand the remedial steps he recommends for putting images in the right place.

These simple tips will not only speed things up, be they’ll also solve aggravating problems like missing images, duplicates, and other navigational roadblocks. One huge problem occurs when you intend to transfer images from a memory card to the Catalog, but the files mistakenly get copied to your computer’s hard drive instead.

When this happens Lightroom then establishes a connection to these files on your drive. The problem occurs during import when “Lightroom will create additional, smaller copies or previews of all these Raw files and stores them in the Catalog as well.” And this causes a variety of problems.

This is just the first of several concerns that O’Donnell explains, before demonstrating the solutions. Along the way you’ll learn the importance of sorting Raw files before import, and why “you aren’t tied tied down to your external drive.”

O’Donnell wraps up the lesson with this: Trust me, your future self will thank you!.” If you agree, and we think you will, take a look at his instructional YouTube channel where there’s much more to learn about Photoshop and Lightroom.

We also suggest watching a tutorial we featured recently with another image-editing expert who demonstrates how to bring dull bring landscape photos to life by using Lightroom Color Range Masks.

The goal of this six-minute quickie from instructor Mark Dumbleton is one that just about everyone should appreciate: “I’m sharing seven Lightroom tips that will instantly save you time and increase your productivity.”

Not only will these techniques improve you workflow and get you back out in the field doing what you love most, but they’re designed to do so while delivering great image quality. Dumbleton is an experienced South African outdoor photographer who specializes in wildlife imagery, but the Lightroom tricks you’ll learn will work wonders for just about any images you shoot in the great outdoors.

Dumbleton begins with this: “If you’re not using shortcuts yet, now is the perfect time to integrate them in your workflow,” and he reveals several of his favorites. When selecting an image in the Library module for example, pressing the “D” key instantly switches your workspace to the Develop module. Then once you’re finished editing the shot press “G” to return to the Library module to begin anew with another photo.

Another quick trick in either the Library or Develop module is using the “F” key to get a full-screen look at your image. Want to return to your previous view? Just press “F” again and you’re there in an instant. There are more shortcuts like these on Dumbleton’s list, and you may want to create a cheat sheet by writing them down.

You can also streamline you edits by using presets for common tasks, or to enhance an image with interesting effects. Best yet, you can download a FREE preset pack by using a link Dumbleton provides in the description beneath the video. He says, “I use most of these effects in nearly all of my edits and they save me a lot of time by eliminating the need to recreate the effect manually.”

Dumbleton also demonstrates how easy it is to create presets of your own. Other tricks include an instant way to reset a slider (or groups of sliders) without dragging back to zero, a faster approach for culling a large batch of photos, and a helpful tip for rating, labeling, or flagging images.

You’ll also learn how to use Smart Collections to automatically group images based upon specific criteria, the best way to configure the Performance and Metadata tabs to keep Lightroom running as efficiently as possible, and the safest method for storing all your files. The bottom line: by following Dumbleton’s advice you’ll work faster and smarter from now on.

Dumbleton’s instructional YouTube channel is a great source of shooting and editing techniques for better outdoor photographs, so be sure to pay a visit when you have time to explore.

And don’t miss the tutorial we posted with another post-processing expert who demonstrates three “essential” Curves Layer techniques for inexperienced Photoshop users.

Do the outdoor photos you capture often appear dull and uninspiring, failing to convey what you saw through the viewfinder? Fear not, because this Lightroom tutorial from the PHLOG Photography YouTube channel explains how to bring them back to life with Lightroom’s oft-ignored Color Range Masks.

Instructor Christian Mohrle is an acclaimed German pro who is equally adept behind the computer as he is with a camera up to his eye. You can download his sample Raw with a link beneath the video and follow along as he demonstrates how to unlock the power of today’s powerful masking technique.

Mohrle begins by merging multiple photos to create a panoramic shot, and he walks you through the straightforward process. As you’ll see, the result is promising, but needs some work to balance out a wide range of tones that can’t be fully corrected with adjustments to the overall scene. Hence, the necessity of selective enhancements to various areas within the frame.

The next step involves a few global adjustments that create the best possible base image for the masking magic that follows. These begin in Lightroom’s Basic panel by changing the profile from Adobe Color to Adobe Standard. Doing this immediately lessens contrast and brightens up the darkest areas in the photo.

Other preliminary enhancements include modifying White Balance to correct a heavy green cast and introducing more warmth. He also tweaks the exposure for more details in the sky, makes further adjustment to contrast, and increases clarity, texture, and vibrance.

The image is greatly improved and it’s now time for selective enhancements using Lightrooms Color Range Masks. The intent is to target blue tones in the sky and river in the foreground, accentuate green highlights in the midrange of his composition, and work on gray tones further back in the upper middle of the scene.

Mohrle demonstrates the straightforward steps required to accomplish these tasks. Then all that’s left to complete the impressive transformation is some final color grading and judicious sharpening. Mohrle’s before/after images prove the effectiveness of this easy-to-emulate technique.

Be sure to check out the PHLOG Photography YouTube channel for more helpful lessons like this one—especially if landscape photography is your thing.

We also recommend watching a tutorial we featured earlier with another post-processing expert who demonstrates a foolproof focus-fix technique for creating sharper landscape and nature photographs with a realistic look.