Here’s an important post-processing tutorial for all you avid wildlife and landscape photographers, that will help you get the white right with a little help from Lightroom. Once you do that, other colors tend to fall into place.

Instructor Simon d’Entremont is a Canadian pro, specializing in nature and wildlife photography, who posts weekly image-editing tutorials that explain his favorite techniques. Today he demonstrates how easy it is to use Lightroom’s White Balance and Brightness tools to perfect the highlights in just about any image you shoot.

Simon says inaccurate white tones “are one of the main issues I see from inexperienced photographers, and many times they don’t even know they have a problem.” In fact, he insists that “white is the most important color in photography.”

You’re probably thinking to yourself that white isn’t really a color. But according to Simon here’s the deal: “Technically white is a color but it’s an achromatic color—meaning it has no hue.” So while white doesn’t appear in the visible spectrum of light, it’s what we perceive when we look at the combination all the wavelengths in the visible spectrum together.

With that out of the way, Simon explains that there are two main attribute of white to consider when making adjustments: Brightness levels and White Balance. Problem occurs when white tones in an image are either too dark, too bright, too orange, or too Blue. And that’s what Simon explains how to fix in the 11-minute video below.

These important attributes are somewhat subjective because, to some degree, they depend upon the mood or feeling you want to convey. Simon begins with a discussion of adjusting White Balance—a characteristic that impacts all colors but “is most easily detected in hueless colors like white or gray.” Here the goal is neutralizing odd color casts to make images appear more natural.

The other key attribute of white tones in a photo is its level or brightness. Simon notes the importance of paying close attention to the histogram where whites appear on the right side of the graph. You’ll see that the closer they are to that side, the brighter they are, with pure white indicated on the far edge.

This theoretical discussion is merely a prelude to what follows; namely a step-by-step practical demonstration of the adjustments necessary for getting the whites right. After watching the video head over to Simon’s instructional YouTube channel where you’ll find a variety of tips and tricks for perfecting the photos you shoot outdoors.

On a related note, don’t miss a recent tutorial we posted from another expert, with a one-minute Lightroom trick for achieving maximum dynamic range for every photo you capture outdoors.

If you’re a landscape photographer and use Lightroom to process images the tutorial below is likely to improve your workflow by explaining four “hidden” tools you may not know exist. After all, Lightroom is such a robust package that it’s almost impossible to keep track of everything it can do.

Instructor Christopher O’Donnell is a very adept landscape photographer who regularly posts Lightroom and Photoshop tutorials designed to help others work faster and more effectively when processing their work. He kicks off today’s very helpful episode like this: “These secret features require a few extra clicks to access or set up, but they’ll make you far more productive and save time in the long run.”

His first tip involves hidden features of the histogram. This trick lets you know exactly what tones you are adjusting with the sliders for Exposure, Highlights, Shadows, Whites, and Blacks in Lightroom’s basic panel. It works like this: When you hover the mouse over any particular slider, certain tonal groups will be highlighted in the histogram.

O’Donnell explains that, “these ranges represent the five tonal sliders which gives you an excellent preview of how many pixels you’ll be adjusting with each slider.” By visualizing which pixels are being adjusted you’ll understand how much difference you’re making in the lightness of your composition.

Another unfamiliar and very handy feature lets you use the histogram to monitor your color channels. This trick lets you see whether or not you’ve blown out a specific color. As you’ll see, there are several histogram charts overlayed on each other. In other words, each color has its own peaks and valleys, and O’Donnell explains how to put this valuable information to work.

Tip number three explains how to employ the histogram so you can see LAB color values for lightness. This one is unique because most of us only pay attention to RGB values. O’Donnell recommends this approach because it enables you to monitor your “L”, (i.e. lightness) value. This works on a scale from 0 to 100, with 100% being pure white and 0% representing pure black.

The video concludes with Lightroom’s fourth hidden tool, which involves using Pins to preview Masks. We’ll let O’Donnell explain the details of how this works, but here’s a quick summary: With the Masking panel active you’ll see small pins on your image, each of which represents a Mask in the panel. By hovering over a pin you’ll see an overlay preview of the area of the image affected by that mask.

O’Donnell provides far more detail about how to make the most of these hidden tools. So pay close attention and maybe jot down a few notes. Then head over to his popular YouTube channel for more editing tips and tricks.

We also suggest checking out a tutorial we posted recently from another post-processing expert who explains how to control highlights in Lightroom for more impressive landscape photographs.