If you want a 24mm prime lens for the Nikon Z system, two of your options are the Viltrox AF 24mm f/1.8 and the Nikon Z 24mm f/1.8 S. There’s a major price difference between them, but at least both lenses have autofocus capabilities and a Nikon Z mount! So, which one should you get?
Viltrox is one of the few third-party companies that makes autofocus lenses for the Nikon Z system, and I’ve been eager to test their lenses for a while. The Viltrox AF 24mm f/1.8, which I’m reviewing today, is a full-frame autofocus lens available both for the Nikon Z system and for Sony E mount. At just $380, it could be a compelling alternative to lenses like the Nikon Z 24mm f/1.8 ($1000)… assuming it performs well, that is.
All effective photographs have several things in common, whether they’re captured indoors or outside. In the eye-opening tutorial below you learn what one accomplished pro says are the essential “building blocks” to consider.
Instructor Peter Forsgard is an accomplished professional photographer based in Helsinki, Finland whose popular YouTube channel is devoted to helping amateurs refine their skills. The tips he provides in today’s comprehensive episode cover everything from technical matters, perspective control, and post-processing methods to storytelling and conveying emotion in your photographs.
Forsgard begins this lesson by providing his take on topics with which you may be familiar, and then moves on to concepts that are less well understood. He jumps right in with a discussion of composition, which he calls one of the most important aspects of all types of photography. Simply put, this involves “placing the subject in a specific place within the frame that can significantly boost the impact of an image.” He recommends several methods, conventional and otherwise, for doing just that.
Next on his list is understanding how to use whatever light you confront—a technique he considers of upmost importance, regardless of your style of photography or the location where you shoot. By taking his advice you’ll learn how to increase texture for added sharpness, modify the mood, and manipulate the interplay between bright areas and shadows.
Another way to boost the impact of an image is to pay close attention to how the background of a scene interacts with other elements within the frame. One of his several suggestions for minimizing background distractions is to position a subject is brighter light than what exists further back in the scene.
Perspective is another of Forsgard’s key components, and he urges you to avoid the common trap of always shooting from eye level. This one is simply a matter of altering your vantage point by shooting from above or at ground level depending upon the subject at hand. Doing this will add interest to your photos and make them stand out from the rest.
The foregoing is just a taste of what Forsgard has to offer, and you’ll probably want to jot down a few notes as the video progresses. You’ll learn his approach to framing and cropping, how color and contrast impact your results, and a few technical skills that tie everything together.
He also discusses the importance of timing and post processing, and methods you can use to elevate your visual storytelling skills. You can find more great advice by paying a visit to Forsgard’s instructional YouTube channel, so be sure to take a look.
We’ve all captured bland landscape photos with unimpressive cool tones, and that’s usually because the light just wasn’t right. While it’s often impossible to return on a better day, today’s Lightroom tutorial explains a simple Lightroom technique for giving these images an eye-popping Golden Hour look.
We often turn to German landscape photographer Christian Mohrle to help bail us out in situations like this, and in today’s episode he demonstrates how to transform a ho-hum image into a money shot. We suggest downloading his Raw file from the link beneath the video to you can follow along and make the changes yourself in real time.
The first thing Mohrle does is go into Lightroom’s Lens Corrections panel and enables the Remove Chromatic Aberration option. He then checks the Enable Profile Corrections box because the lens he used created noticeable vignetting.
With the foregoing out of the way it’s time for a few simple global adjustments to create the best possible base image for the selective enhancements that follow. He changes the profile from Adobe Color to Adobe Landscape which immediately bumps up saturation, brightens dark areas, and make tones a bit warmer.
Mohrle then modifies White Balance which he says is the most important step among the preliminary enhancements because the image is far too cool. He also adjusts exposure by bringing down highlights to recapture more detail in the snow. He then drops shadows and adds a bit of contrast. After introducing some Texture for a sharper look, he pumps up Vibrance for more saturation.
After a few more subtle tweaks it’s time for some masking that significantly transforms the image. Mohrle adds a Linear Gradient over the top portion of the photo, leaving the foreground untouched. Among other things this enables him to add more contrast and punch to the mountains in the distance.
The next step is selecting Lightroom’s Sky Mask to bring down temperature and increase saturation and contrast in this portion of the shot. Mohrle then adds a Linear Gradient over the foreground that he uses to make several simple enhancements to create a powerful but natural look.
Now Mohrle now turns to color grading which he says is the “fun part” of this edit. He makes a variety of HSL color adjustments and adds a split toning affect to differentiate the cool tones in the sky from the golden hues in the rest of the image. All that’s left is a bit of careful sharpening and the transformation is complete.