Lightroom’s powerful Curves panel offers far more versatility than the limited global adjustments many photographers use to adjust the brightness and contrast of an image and balance out tonal values. These include selective enhancements for targeting and enhancing different areas within a scene.

Today’s eye-opening tutorial from Lightroom Color & Editing Mastery demonstrates how to boost the impact of an image by harnessing the power of Lightrooms RGB Curves to create a variety of stylistic effects that will make your images stand out while keeping thing looking natural.

The video below is designed for inexperienced users, so instructor Maarten Schrader presents his tips in a straightforward manner that anyone can accomplish in minutes. This way you can replicate a variety of appealing styles that strike your fancy without digging too far into the weeds.

Schrader recommends approaching Curves “as a scientific tool” so that you can mimic the look of images you appreciate from others, and then develop personal styles as your skill and confidence grows. The trick is becoming familiar with the why as well as the how. Schrader helps gets you started with a selection of free Curves presets that you can access with a link in the description the video.

The first step is interpreting the graphic interface and Schrader begins with this: “The box represents every shade of your image, with dark tones on the left, bright values on the right, and everything else in between.” This preliminary knowledge is about as far as some photographers go, which means ignoring potential color enhancements and other local adjustments that are available for creating a recognizable style of your own.

It quickly becomes apparent that this isn’t a one-size-fits-all operation, and there’s plenty of room for experimentation. Schrader’s goal is to provide you with a firm understanding of the concept—with clear examples and the various options that are readily available. In short, it’s all about unlocking your inner creative vision.

There’s a lot more to learn on Schrader’s instructional channel, including the ramifications of color theory when shooting everything from environmental portraits, street scenes, landscapes and more.

Be sure not to miss another basic guide we featured recently that demonstrates why you shouldn’t underestimate several useful sliders in Lightroom’s Basic panel that many photographers overlook.

We were all taught early on to always shoot with the sun to our back, and that worked OK for beginners looking for the easiest way to capture a “Kodak moment.” If you’re still following this familiar “rule,” it’s long past time to be more creative, and one effective way to do that is by setting aside what you learned about composition and try shooting towards the sun.

This technique is admittedly more challenging than the conventional approach, but the primer below from Wild Light Landscapes demonstrates foolproof techniques for transforming harsh light into breathtaking photos. So click the Play button and learn how to switch things up in the next 11 minutes.

Instructor Paul Thomson is an acclaimed British pro who lives with the Lake District on his doorstep. He says, “I’m living the dream of full-time landscape photography,” and today’s behind-the-scenes episode takes you along on an adventure in the Scottish highlands as he illustrates various techniques will a handful of photos made with the sun in his face.

Thomson walks you through the appropriate camera settings and demonstrates several techniques for more powerful composition.  He also discusses how affordable lens filters can be a big help for taming the sun by balancing exposure.

Bottom line: Ditch the old rule, put on your sunscreen, and face the sun head on. Think of it this way: at least you won’t have to struggle with the sun hitting your camera’s rear LCD and making everything difficult to see.

Once today’s video concludes take a look at at Thomsons’s popular YouTube channel where there are many more how-to videos for improving your shooting and post-processing skills.. And by becoming a subscriber you’ll have quick access to several  valuable perks.

We also recommend watching an earlier tutorial we featured with another accomplished pro who demonstrates when, why, and how strategic tight crops will create attention-grabbing nature and landscape photographs with a more powerful effect.

Outdoor photographers should take a hard look at the new Nikon Z6 III. This 24.5MP mirrorless camera from Nikon is a great choice for capturing wildlife because it combines speed, image quality, and durability. That’s the consensus in the below video review from our colleague David Schloss at Imaging Resource, Outdoor Photographer’s sister site.

In particular, Schloss loves the Nikon Z6 III’s AI-based subject detection that helps effortlessly track birds and other wildlife for sharp, in-the-moment photos.

Here’s more of what Schloss thinks is new and exciting about the Nikon Z6 III:

• 24.5MP sensor paired with the blazing-fast X-Speed 7 processor for stunning image quality and low-light performance.
• AI-based subject detection for effortless tracking of people, pets, birds, and even trains.
• Five-axis in-body stabilization offering up to 8 stops of compensation for crisp, steady shots.
• Unmatched shooting speeds of up to 120 FPS for action-packed moments.
• Durable weather-sealed body with a magnesium shell, perfect for extreme conditions.
• Versatile video capabilities, including internal RAW video, focus peaking, zebras, and more.

“To sum it up, the Nikon Z6 III is an incredibly well-rounded camera that caters to both photographers and videographers,” he explains in the video from Imaging Resource’s YouTube channel embedded at the bottom of this post. “It’s got advanced features and compatibility with a wide range of lenses and accessories. The Z6 III is a perfect entry-level point to give you, by far, the best photo and video capabilities in a camera of this size.”

Check out the video review below and then hop over to this review by Schloss of the Nikon 180-600mm lens, which he calls “the best budget zoom” for wildlife photography on the market now.

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