This simple hack turns these IKEA storage boxes into a stylish display for your favourite mugs
It’s stylish yet equally practical
Characterised by strikingly sleek lines, a minimalistic approach to decoration, and a unique integration with nature, mid-century modern architecture emerged as a significant architectural trend in the aftermath of World War II.
Founded by acclaimed American architect Frank Lloyd Wright, there are many characteristics of this style of architecture which we will explain in this guide. When identifying any build of this period, you’ll find open planned spaces, huge windows, and a sense of bringing the great outdoors inside.
In general, a high prairie home of this time featured more decorative elements than a mid-century build. Therefore, you can often easily distinguish a build from this particular architectural movement based on its decorative elements.
There was a boom in mid-century modern architecture across America throughout the middle of the 20th century. In the years 1945 to 1969, many architects and designers picked up on the style and brought about a new movement. It rapidly grew in popularity across the USA, specifically in the state of California.
With this said, the architectural styles have seen a resurgence in recent years. In fact, interior designers today inclusive of those focused on Scandinavian design or Danish Modern, have made the mid-century modern design more accessible to newer generations of homeowners.
Read on to learn more about the history behind the architecture, key elements and we’ll also look at some of the most influential architects that contributed to this movement.
So, if you’re looking for an in-depth guide to this architectural style, this reading is for you!
This movement of architecture in the twentieth century drew emphasis on clean-cut lines along with understated curves. It also did not focus heavily on ornamentation as already described by lack of decor and instead focused on using the outdoors as a means of artistic flair.
This often involved implementing the use of large windows that helped to bring outside landscapes in along with focusing on functionality through the use of natural elements. Open floor plans were not uncommon as this helped to reaffirm the idea of minimalism and enjoying family time together.
International and Bauhaus design movements, as well as American high prairie style homes, influenced this movement of architecture. A number of European architects that fled Nazi Germany brought it to the United States. Among these architects were Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. And, Frank Lloyd Wright, known as the Father of American architecture, trained many architects throughout this time.
Following World War II, Americans began to place more of an emphasis on lifestyle. This was seen in the amount of time spent with family and nature, two ‘free’ simple pleasures that could be enjoyed.
Because of this, mid-century modern homes in America’s suburbs had to consider the whole family and elements of the natural world. Often they would feature large windows, an open living area where the whole family could appreciate one another, and some technical aspects too which helped to minimize time spent completing chores.
Between 1945 and 1969, mid-century modern architecture developed across three distinct styles in America. These were known as international, contemporary, and finally, organic.
The international mid-century modern architecture style was inspired and heavily influenced by the infamous Bauhaus teachings. Most homes were extremely simple, with very minimal decoration, and typically finished with stucco rather than the excessive exterior decor found across other architectural styles.
The most popular contemporary homes were characterized by clean large windows allowing for plenty of light and the use of organic materials. Asymmetrical exteriors and exposed beams were also common, bringing the notion of the outdoors inside.
A very small number of architects looked to blend their homes into nature. Building structures with sharp lines and right angles were not favored. Instead, they preferred homes with more natural and free-flowing shapes.
This organic principle meant that depending on the locality of the building, building designs differed immensely. This was because organic homes were heavily influenced by their natural surroundings making each design quite unique.
“Mid-century modern” primarily was rooted in a group of housing and structures built between the years 1945 and 1969.
Angular details, flat roofs, and asymmetrical profiles dominated this style. The style was also characterized by expansive walls of glass, clean lines, and spacious floor plans.
While mid-century modern style architecture is characterized by three distinct styles, most of the mid-century modern houses in the United States share these features:
In mid-century modern architecture, clean-cut lines are imperative. Most mid-century homes are characterized by flat roofs while many of the ranch-style homes found in areas of the U.S. often have asymmetrical features or traditional gable style roofs.
Flat roofs are seen throughout almost all mid-century-style homes. With a huge emphasis placed on simplicity and clean lines, it made sense for the mid-century modern style to keep roofs flat as this echoed the idea of minimalism.
Many homes had an asymmetrical profile during this time and this was a popular approach to both art and architecture alike. Homes created in this style were made to complement natural surroundings and mimic the sense of asymmetry found in nature.
Open plan living in mid-century homes brought about the notion of ‘family time’. With greater accessibility between rooms, the interior was made to feel like a communal space in which everyone could gather.
Much of mid-century modern design focused on using accents of vibrant color. Both in architecture and interior design alike, bold colors were used to highlight features and bring about a modernist style.
Patterns and motifs with striking graphic details were found throughout the interiors and exteriors of modernist architecture. It is not uncommon to find geometric motifs either on the outside or inside the home.
The combination of man-made and natural materials were a hallmark of houses and architecture of the movement. Wood and cement were often combined for example as a way of honoring the capabilities of both humans and nature alike.
Below, we have included an overview of the most renowned architects of history and today who have inspired the world with their iconic mid-century modern style designs. Here are some of the most iconic architects that helped shape the movement.
Alvar Aalto became one of the most famous Finnish architects and designers when he earned his diploma in architecture at the Helsinki Institute of Technology.
He is known for many notable accomplishments, including the L-leg design for the kitchen interior. As a result of his invention, homeowners began attaching these types of legs to tables, chairs, and stools. This trend can still be found in many kitchen interior designs today.
Known for their groundbreaking contributions to architecture, furniture design, manufacturing, and photography, Charles and Ray Eames are considered some of the most significant American designers of the 20th century.
Ray and Charles were married in 1941 and designed plywood furniture together. They made molded plywood chairs that Evans sold in 1946. A famous architectural critic, Esther McCoy, referred to these chairs as the ultimate chairs of the time.
Known also as Charles-Edouard Jeanneret, this Swiss-born architect was not just gifted in this type of design but he was also a designer, sculptor, and painter. Although he studied classical architecture, he was always interested in learning about other types of culture. As an architect, Le Corbusier integrated his own heritage along with modernism.
Most buildings designed by him are constructed on the basis of five principles that continue to be followed even today: external walls should be glazed; terrace roofs should also function as roof gardens, columns and beams should form a structural framework, placing concrete columns in place of supporting walls rather than other types, and there should be no structural constraints.
Eileen Gray carved a niche for herself in the male-oriented world of Modernism and architecture alike. Having achieved success as a furniture designer, she decided to pursue her love of architecture as a career, and without training, she created an iconic building that showcased warmth and comfort.
Until the late ’60s, she was not recognized for her work, but she was an inspiration to the Modernist and Art Deco movements and continues to be.
In the 1950s, Eero Saarinen, an American architect born in Finland, was one of the biggest pioneers in exploring the depths of architectural design in the country.
Throughout his life, he designed large buildings such as churches and chapels. He also built the Massachusetts Institute of Technology – and a red-bricked cylinder chapel.
We’ve included some of the most notable buildings that emerged during the movement below:
With the development of suburban America, mid-century modern builds evolved. You can find mid-century modern homes in virtually every town and in every state in the US.
Palm Springs, however, has one of the largest collections of mid-century modern homes. The world’s most famous mid-century modern architects built homes, hotels, motels, and other structures can be found in this area and Palm Springs, and many homeowners are building new homes while still being influenced by the style.
Mid-century and mid-century modern are two distinct and different styles. While mid-century modern refers to the design movement that became popular after WWII in 1945, Modern Design originated in the 1930s.
Palm Springs is known for its abundance of mid-century modern architecture, and its reputation is well-deserved. In the desert oasis, you’ll find exemplars of architectural gems in this style including Elvis’s Honeymoon Hideaway.
There are many excellent books that have been published to inform and educate about the mid-century architectural movement. Some of the books we recommend include Julius Shulman. Modernism Rediscovered, Between Earth and Heaven, The architecture of John Lautner – Rizzoli, Case Study Houses, The Complete CSH Program, and Neutra. Complete Works.
Who can resist the sumptuous appeal of a finely-crafted, genuine leather bag? Combined with elegant styling and superb workmanship, the common camera sling can be elevated to an explicit work of art, an everlasting leather heirloom, even. GRAMS(28), a Hong Kong-based leather goods brand, offers the 172 Camera Sling, a gorgeous and roomy camera shoulder bag that delivers on these potentials. That said, some questionable construction decisions may mar its appeal to ardent photographers. Hear me out…
GRAMS(28) 172 Camera Sling Overview
The 172 Camera Sling comprises the popular configuration that includes a rigid lid, repositionable internal dividers, a pouch for an 11-inch tablet and a zippered compartment on the back. The adjustable shoulder strap is removable but lacks a shoulder pad or slip resistance. There’s a roomy zipped compartment on the front that’s covered by the lid and is ideal for memory cards, batteries and the like. The interior fabric is light khaki color and soft to the touch. On the front, instead of a gaudy logo, there’s a tasteful single line of text that reads, “GRAMS(28) (172 0902 039),” stamped in white.
GRAMS(28) claims that the 172 Camera Sling can hold a full-size camera like a Fujifilm X-H1 and a lens like a Fujifilm 70-200mm lens, which at first I did not believe but assuredly confirmed. It’s much roomier than it appears, probably because of the sleek, roundish design.
Key Features & Dimensions
• Full grain pebbled Italian leather
• Finely crafted in Arzignano, Italy
• Leather tanned by carbon-neutral Gruppo Mastrotto
• Padded interior
• Removeable, adjustable dividers
• Slot for 11-inch tablet
• Pouches for memory cards and other small items
• Apple AirTag pocket
• Measures 12.5 x 8.6 x 4.7 inches (32 W x 22 H x 12 D cm)
• Weighs 1.96 pounds (890g), or 31.4 ounces
• Lifetime warranty & 30-day return option
• Free shipping to US
• Cost is $459 USD
Field Notes
The GRAMS(28) 172 Camera Sling is quite roomy despite its compact size, and comfortable to use. But the lack of slip resistance on the wide 1.5-inch (3.8cm) strap is annoying and, for me, means constantly struggling to keep everything from sliding off my shoulder. If you wear the bag cross-body style, this is not an issue.
It’s a trifle heavy when empty. It weighs nearly 2 pounds (31.4 ounces). In comparison, the $119 Peak Design 6L Everyday Sling Bag weighs 1.72 pounds (780g) (with dividers). Seems small but that’s a difference of more than 12%.
The aluminum latch that fastens the hinged lid is unique and moderately attractive, but it resembles a video game alien with brassy gold ears, wide mouth and a roughly textured tongue. It doesn’t bother me, but it bothers me. Know what I mean?
The galvanic plated zippers blend nicely with the overall design scheme, but frankly I prefer waterproof YKK zippers, the component GRAMS(28) uses on some of their other products. That’s just my personal fussy choice, but it’s based on years of experience with recalcitrant zippers.
The biggest problem—and this is a deal breaker for me—is the very thin pin the connects the shoulder strap to the rotating buckle. It appears to be approximately 2mm in diameter, clearly less than 3mm (roughly 3/64 inches). Being unduly clumsy as I sometimes am, I’m certain I could accidently shear the pin with minimal force and (possibly) drop the bag. Aware of this, I never felt confident about the bag’s security.
Side Note – Identity Crisis?
The company name appears as “GRAMS(28)” with parentheses in multiple places on their website, but in the About Us section and on their official Facebook page the name appears without parentheses.
It gets better. On Instagram we find three variations: GRAMS28, grams28 and GRAMS(28)—all in the same place.
I decided to use the all-caps-plus-parentheses version to be consistent with their official logo. It’s none of my business, but I suggest that their marketing team picks one variation and hammers it home. Consistency is the mainstay of marketplace identity.
Conclusion
I really, really want to love this bag. The leather craftsmanship is superb and the overall design is attractively understated and highly functional. But I can’t love it for one of the reasons I delineated in the Field Notes above: the thin pin that connects the rotating buckle to the camera strap.
If I were to use this sling bag on a regular basis, I’d feel compelled to first replace the strap with something that had sturdier buckles. The lifetime warranty protects you if this component fails, but the bag could crash to the ground and damage its contents. What then?
Price & Availability
The GRAMS(28) 172 Camera Sling is priced at $459 and can be ordered directly from GRAMS(28). Shipping to the US is free and they offer a lifetime limited warranty and a 30-day return window.
—Jon Sienkiewicz